the main book of western criticism? poetics - Aristotle what does poetics mean? the art of poetry poetry are modes of? mimesis to Aristotle this is the overriding concept music is a form of imitation BC because it is associated with poetry. also, with specific emotion (a song for war, celebration, etc) poetry has three categories (Aristotle) medium, manner, mimesis (Aristotle) Mimesis voice                                           colors/shapes song                    verse poetry rhythm                language             harmony (Aristotle) Drama means? action Aristotle) How many plots does a tragedy have? one plot, a unique plot what is the best form of mimesis? (Aristotle) dramatic mimesis Aristotle) Two natural causes of poetry natural tendency to imitate, our natural instinct to receive pleasure with imitating (feel ranges of emotions) , learning. Aristotle) poiesis composition, creation, dramatic mimesis of poetry Imitation and creation (Aristotle) for example, when children play they imitate but also improvise. according to Aristotle, how should one compose their own plot? By putting himself in the situation, create it himself eikon the law of probability you can take pleasure in a tragedy (Aristotle) if it is a representation you can experience the emotion and learn form it. tragedy is what? (Aristotle) is an imitation in the form of action. men in action the object of imitation is serious and complete the medium used for the imitation is verse imitation of an action in the form of an action katharsis (Aristotle) purification, to purge of emotion of pity and fear, release emotion learn from it move on tragedy is a? (Aristotle) a spectacle, a play, but can produce the same effect without the spectacle. what is the most important part of a tragedy? the plot what is ethos? (Aristotle) the character of the character what is the plot? Muthos from myth more about plot (Aristotle) It means plot as a whole, FORM, not segregated, interconnected, mesh, they all support one another adding a more dramatic effect.  events must follow each other in a logical way. Aristotle believes that you should analyze poetry how? By taking a scientific approach; similar to his approach to biology Aristotle) defines tragedy according to what seven characteristics? mimetic, serious, tells a full story of an appropriate length, contains rhythm and harmony, rhythm and harmony occur in different combinations in different parts of the tragedy, it is performed rather than narrated, it arouses feelings of pity and fear then purges these feeling via catharsis. Aristotle We can learn from tragedy via? because we are aware of the mimesis involved with art. We are able to experience the emotion without being scared by the real thing. Then, purge via catharsis and more on. pragmatic effect produced on the audience expressiveness only concerned with the author, the author is the center of the work analist decomposes work, wants to see how it operates. A systematic approach. eikos (aristotole) probably or likely (Aristotle) teche/phusis art imitates nature art supplements a lacking nature by imitating it. art behaves like nature in ability to evolve. (phusis) Aristotle means the universe, world, a force (Aristotle)what two elements does a complex plot include? peripeteia or reversal anagnorisis or recognition a change from ignorance to knowledge (Aristotle) must have pathos? pity, fear, a suffering (Aristotle) The hero must make some type of hamartia. error, fault, mistake (Aristotle) true pity is only in by the unfortunate/unjust misfortune of someone (Aristotle) true fear is only created when? when something bad happens a man similar to you. you can identify with the character, and experience fear for yourself. (Aristotle) in his opinion tragedies have no ? moral implications (Aristotle) what is the fault? hamartia What is fate? something that no one is responsible for (Aristotle) is fate about morality? No what is homoion? likeness, similarity, relate (Aristotle) the tragedy must take action between family and friends to be most effective. what is the central concept of classicism imitation of nature - art imitates nature 17th century French classicism it is all about rules, is self righteous and conformist. what is les regles de l'art? the rules of art what was the 17th century French interpretation of Aristotle's poetics? Classicism what it is supposed to be? reproductive not creative, it is a copy ut picture poesis poetry is like painting classicalism ignores? the internal logic of a fiction. les utilites in general should have an effect on people - pragmatic- there should be a moral affect- one should learn from paintings etc. Classicism the point is to instruct and delighting - pleasure - in the case of a tragedy - passion is bad in classical criticism- the instruction is moral. background of Plotinus porphyry took his writing and arranged them into six volumes with 9 each Plotinus everything ends with "the One" fusion with "the One" or union. plato's theory is duelest it separates, there is distinction. Platonic love - Physical beauty is fake (Plotinus) the world of imitations is tolma from the one (Plotinus) beauty is the appearance of the idea. (Plotinus) everything that is... is one is from the same thing, the one phainonomenon greek name for appearance phos light (Plotinus) things appear thanks to? the light (the one) the eye sees.. (Plotinus) that the light that it projects by itself. (Plotinus) The one needs objects to reflect light so the eye can see Plotinus) what is the experience of beauty? when we she something beautiful. when you see an object and it is beautiful. when the eye sees something beautiful it is seeing itself and being reunited. (Plotinus) you are in beauty means you are in one with everything. Plotinus) when we realize we are one with the object we are in beauty how are you ugly? (Plotinus) self ignorance. as long as the art is made of material it is an imperfect idealization. Plotinus) is art better than nature? Yes Potinus) teche improves on nature it improves it where it is lacking. Plotinus art ideals nature how? (Plotinus) by unifying matter Plotinus) what is beauty? it is the ideal form. self-recognition (Longinus) how do we view something as ugly? to view it with no unity longinus) Cicero believed in three styles of rhetoric. what are they? Grand, middle, plain (longinus) what is the grand style? movere)(sublime style) not to persuade, but to put someone in a state of trance. longinus) what is the plain rhetoric style? docre) to instruct or explain longinus) What is the middle style? conciliare) what is the purpose of rhetoric style? persuasion Longinus) what is the only way to measure sublime? (grand style) the effect that is has on people. it must be strong and affect everyone- it cannot be resisted because it an overpowering superhuman force (this is referred to as the effect of the sublime. According to Longinus the more enthusiastic you are the..? better. This goes against platonic theory that this was a negative- that it showed no teche Longinus) why does sublime occur? we have admiration for things that are more divine than we are. things that are greater, larger, more magicical-thinks gods. (Longinus) why do we need writing to reach sublime? art is an aid to nature, it supplements nature, then fusion with phusis creates sublime. what is the greatest way that grand art separates itself from the other two rhetoric styles (longinus)? the passion of sublime longinus) the great writers are born with an innate ability to write! in his opinion can it still be learned? yes, but sublime art is preferred over techne longinus) can you have grand without phusis? no. longinus) how is his version of mimesis different? it is imitation, but not a copy. who was the first one to emphasize the role of the author? Longinus robortello 1674 Longinus) notes about the sublime... it is a paradox, it is grand in a terrifying way. Diderot) what were the rules of art? why do they need to be broken? that you have to go out and experience nature to be truly inspired. (Addison) Diderot) where did the notion of genius come form? the private spirit that accompanies you in life from the moment of your birth. a private genie. you can have a good or bad one. you must give the genie gifts, this was the start of the birthday cake. Diderot) genius is? something natural, innate, they should have used the word ingenium. Diderot) what does ingenium mean? a natural skill, innate, the work that should have been genius (Diderot) paradox on acting. there are two thoeries of genius what are they? Diderot) what is an original someone who doesn't behave normally. (Diderot) elitist, aristocratic, when it comes to the theory of.... genius Diderot) what does sensibilite mean? to feel the senses. (Diderot) what are his three characteristics of genius? 1) wit/spirit - the capacity to be affected by things or being(moved) the genius is affected by everything, they are hyper receptive, absorbative, isn't just concerned with themselves= sensible 2) Can produce beauty or the sublime. The genius is innovative. 3) the capacity to relive or re-experience what has been lived before. the genius can identify with nature, his characters and others, and can connect emotionally. Diterot) the great genius does what unconsciously? observes, takes notes Diderot) the genius is what? a spectator Diderot) feels that the actors are ...? insensible (Diderot) It is only the bad actor that ..... identifies with his part . Diterot) believes that a good actor is insensible, and great at imitation Diderot) and actor that relies on his emotions is inconsistent, uneven. Diderot) A good Poet will actor must be inspired by ? Nature Diderot) Great actor poet can Diderot) a great poet, actor can? imitate emotions that are not his own. Diderot) If you experience the emotion as your own you cannot...? imitate Diderot) Example Harrison ford - Dustin Hoffman you must become nothing to become everything. Diderot) the artist is a liar? true Diderot) what is the key during performance? absence of ones self. Diderot art improves on nature, by extracting from it an ideal model. mimetic gift Burke) the genius is someone who is original, create new things, invents Burke) genius doesn't abide by rules or laws Burke) aisthesis sensation, what is experienced through the sense. burke) aesthetics Burke) before the eighteenth century you only had on theory about what was attractive or pleasant The two main categories are the sublime, and the beauty. Burke) the beautiful is not the same as beauty it is more subtle enjoyable pleasant emotion of pleasure Burke) picturesque something that is interesting and catches the eye there is something narrative about it. Burke) before him pain was though to be ugly unpleasant it can be aesthetic at certain distances it can be delightful (sublime) not pain that you experience yourself pain at a distance Burke) think sinking ship example you don't want to be too close to the sublime or you will be engulfed Burke) the beauty is attractive the main emotion is pleasure it is a social emotion think pet and sex example why is it that we like to pet cats and not snakes. why do we think that certain animals are more beautiful than others. Burke) the beauty should be light smooth and elegant, pleasure while the sublime is rugged and dark pain Burke) this categories are subjective the beautiful is not a characteristic of the item itself it is purely the sensation what is Burke's aim? is to establish an aesthetic system on these emotions. He wants to leak these emotion to bodily states he is not trying to define beauty names for emotions not things this is what is new about the eighteenth century subjective not objective meaning they vary from one subject to another kant) how is criticism possible in the era of aesthetics we should be concerned with the effect of that item on oneself. kant critique of judgement mimesis Katharis enthusiasm know main four or five terms (kant) what are the three faculties of the mind gunderstanding judement reason desire =mean will the feeling of pleasure and displeasure Kant)  a priori something that is not, , something that comes before the senses, you are born with them rationalist theory  kant comes after Hume Kant) a posteriori the comes after the sense what is kant's first critique? of pure reason Kant) we can only understand things as phenomenon. things that are, space time, etc. God= noumenon Kant) what is the judgment of taste? it is aesthetical = it has to do with the senses it refers to the pleasure and it is purely subjective has nothing to do with good or bad holds no moral grounds Kant) the practical reason is Kant's second critique Kant) a cognitive judgment ... can be true or false Kant) determinate judgment a judgment that starts with an object and then can apply it Kant) aesthetic judgment start with an experience then universalize it into a concept Kant) how can there be a standard of taste? there can be no universal criterion. too subjective Kant) man of taste? the two kinds of pleasures or tastes have been confused. the man of taste can object (think wine example) the taste of sense Kant) what is his argument? people should not universalize their judgments of taste. illogical So why do they do this? Kant) this might well be Hume's prejudices Kant) there are two aesthetics the beautiful and the sublime that are each divided into four sub categories Kant) the beautiful the object of a dis interested satisfaction satisfaction that is not dependent of the existence of the object. = interest he likes hamburgers so he is interested in the existence of hamburgers in the world doesn't care about the actual object in the painting just the feeling. subjective contemplative pleasure Kant) the judgment of take is not a cognitive judgment and it is not an ethical judgment Kant) the Beautiful something that pleases universally without proving a concept (Kant) determining concepts start with a concept Kant) The beauty is an a conception experience shouldn't generalize but we do because we are compelled to we have a common sense. it is an assumption not something that could be demonstrated or proved. not conceptual a-conceptual Kant) the beautiful deprived from the third moment free beauty & dependent beauty Kant) dependent beauty experience of the beautiful and the beauty cannot be separated from a subjective element. think bridge example brings up mimetic Kant) free beauty free of any subjective concept= a-conceptual abstract pure music without any purpose unknown reason for beauty for kant is the same as cat or dog pet example. Kant) providence we and the world belong together Kant formalizing systematizing eighteen century philosophy pragmatic effect produced on the audience analist decomposes work, want to see how it functions