Art History

Annibale Carracci, Triump of Bacchus and Adriadne, 1600, Rome CIRCA-galleria Farnese

Annibale Carracci, Pan and Diana, 1600, Rome CIRCA- galleria Farnese

Annibale Carracci, Juno and Jupiter, 1600, Rome CIRCA, Galleria Farnese

Annibale Carracci, Venus and Triton, 1600, Rome CIRCA, Galleria Farnese

Annibale Carracci, Cephalus and Aurora, 1600, ROME CIRCA, Galleria Farnese

Annibale Carracci, Mercury and Paris, 1600, Rome Circa Palazzo Farnese.

Annibale Carracci, Venus and Anchises, 1600, Rome, Palazzon Farnese, Galleria Farnese ceiling

Annibale Carracci, Diana and Endymion, 1600, Farnese Gallery

Annibale Carracci, Hercules and Iole, 1600, Farnese Galleria at Rome

Annibale Carracci, Polyphemus wooing galatea, 1600, Farnese Gallery

Annibale Carracci, Polyphemus slaying Acis, 1600, Farnese Gallery

Annibale Carracci, The Dead Christ Mourned, 1603/4, London, National Gallery

Annibale Carracci, pieta, 1599/1601, Naples, Museo di Capodimonte

artistic tradition in which artists create a work of art that appears to share the physical space with the viewer

It is used in art to describe easel paintings or framed paintings that are seen in a normal perspective and inserted into a fresco. The final effect is similar to Illusionism, but the latter encompasses painted statues, reliefs and tapestries.

seen from below

compare painting and sculpture

painting architecture. Like painting vaults to divide up the space