Classics-Pompeii

• -Built 140-120bc
• -Owned by Maius
• -2300m² large, occupies a whole insula

Because of election slogans found on the wall. Pansa is the name of a prominent political family

It was badly damaged. This meant that the family would have been financially stretched to cover the cost of repairs which is why there are bakeries and taberna as the family needed the income.

• Took up a third of the whole area
• Commercial garden and grew vegetables and fruits.
• Irrigation channels
• Garden plots 2.5m wide

• 16 columns with ionic capitals
• bottoms half of the columns is yellow plaster
• has a pool (2.65m x 6.4m x 2m) and a fountain

• seperate triclinium(right used in summer)
• peristyle gardens
• ionic columns
• These were used to try and give more ellegance to traditional Roman style

• 180bc
• Cassius family
• 2950m²

• It gets its name from a statue of a dancing floor found in the impluvium
• Election slogans found on the wall and a named gold ring found on the skeleton of a women in the Tablinum

• Added 110bc, replaced a hortus
• 44 doric columns
• The outside has half columns set against the wall
• Room for doorman and gardener (top right corner)
• Small raised stage (cente back)
• Lararium (back left corner)

• Nilotic mosaic
• Alexander mosaic
• Variety of eastern artifact, Persia, Asia Minor

• First century BC (30bc)
• 5.92m wide by 0.7m high
• Found on the threshold of the exedra in the house of the faun

In 331bc Alexander the Great began building a city on the banks of the Nile river. 300 years later Cleopatra killed herself and Egypt became a Roman province(30bc). This led to an upsurge of interest in Egyptian products between the wealthy.

• Indian Lotus Flower: symbol of Egypt
• Crocodile: symbol of Egypt
• Cobra: belief that Cobra escorted you to the afterlife
• Reeds: found throughout the Nile delta
• Shellducks: found in Nile but also elsewhere
• Ibis: sacred to the goddess Isis. There was a strong following of Isis within Pompeii and a temple dedicated to her

• Shellduck wings
• Animals

• Foreshortening- tail is smaller than cobra's head
• Overlapping- reeds overlap hippo
• Shading and hilighting-hippo's face and body, shadow under cobra, lotus leaf, ripples in water under ducks
• Linear perspective- redds behind ducks

• Cobra in a 3/4 position
• In the duck scene, one about to fly off and another going to eat a frog
• Ripples of ducks in the water
• Hippo half submurged and eye contact makes it look like its charging

• Late 2nd century bc (120bc)
• From the exedra of the house of the Faun
• 5.8m wide by 3.13m high

• He is Alexander III of Macedon and he was the king of Macedonia
• He created one of the largest empires on Greek history
• He inherited his empire from his father Philip II of Macedon
• He invaded Persian ruled Asia Minor and led a series of campaigns that lasted years.

• Alexander the Great led a charge throught the Persians and broke the Persian line. He charged directly at Darius. Darius, in a moent of panic, considered the battle lost and fled aswell
• It occurred in 333 BC
• Although Alexander and Darius met at the battle of Gaugamela in 331bc it is accepted the mosaic is of Issus

• Highlighting and shading-horses rear, Persian's face, horse
• Layering-overlapping of people, spears ect
• Foreshortening- horses, horses hooves

• It is Insitu
• Over 2 million tesserae pieces used
• tesserae 1-2mm wide
• Reflection in shield
• Blood flowing from horse

• small pieces of stone, marble and glass
• Geometric shapes or designs were set into empty spaces, often used to form pavements
• Prefabricated mosaics set in panels and laid in floor
• Larger mosaics or those adding decoration to existing objects were completed on site, after the base had been prepared for the tesserae to be laid

• 150-80 BC
• plaster was painted to resemble marble slabs
• this was an attempt to imitate the rich Hellenistic houses

• Walls were decorated with architectural features
• Red was a prominent colour
• Theatre masks were common
• This was an attempt to try and pass off the walls as 3d
• 80-14 AD

• 14-62AD
• Symmetrical
• animal motifs

• 45-79AD
• mythological scenes
• multiple paintings on the one wall- motifs and architecture

• A rendering coat would be applied
• several layers of plaster containg lime and grit were applied
• Layers of plaster containing lime and marble powder would be applied, the final would be smooth
• The painting was painted while the plaster was still damp so that the paint was absorbed into it
• Paint was made of natural pigments (chalk, soot, ochre)
• Shiny effect obtained by a layer of wax that was polished
• Some of the finer detail was painted over the rough picture once the plaster was dry

• date unknown AD62 onwards
• Original location unknown- probably part of a 4th style wall
• 62cm wide by 39 cm high

• Shading and hilighting-columns
• Atmospheric perspective- walls of Troy, small temple behind column

• Column with urn on top
• small temple in background
• tree
• mountain
• prominant in left third

• Onlookers, in the front women and children, behind are soldiers. Overcrowding creates tension. Gives a sense of foreboding horror, the dark colours contrast with the rejoicing.
• Three figures. The first is dancing which suggest the short lived joy. The second is praying and the third running away which creates a sense of foreboding horror (hannah suggests all 3 are dancing)
• Men pulling back horses contrast with surrounding gloom which creates foreboding feelings

• Cassandra is the woman walking towards the soldiers holding a torch.
• Apollo granted her the gift of prophecy but when she didn't return his love he cursed her so nobody would believe her.
• Her presence foreshadows Troy's destruction
• A figure kneels in prayer, arms outsrteched before the Minerva statue. It is believed this may be Queen Hecuba.
• Her presence creates a mood of despair

• There is a Minerva(Athene) statue on a podium
• We know its her because of the shield, spear and corinthian helmet
• Presence foreshadows Troy's destruction
• Woman rushing forward is thought to be Ate, the personification of ruin
• Her pose mimics Minerva
• Holds up a lighted torch, about to cast on troy-symbolism
• Foreshadows Troy's destruction

• 60-79AD
• Found in a Villa at Stabiae
• 26cm wide by 24.5cm high

• Brief brush strokes are used to capture the essence of the building rather than using detailed and exact lines
• man fishing on rocks
• white scribble for sunlight reflecting off waves
• yellow dots suggest people walking down a colonnaded street

• Convergence of objects to the upper right corner
• Pier creates a horizontal break across the bottom third of the painting
• Foregrounds consists of rocks and small boats and is sparce. This contrasts with the background clutter and draws the eyes across the painting

• Aerial Perspective-collonaded street
• Linear view-buildings on left and wharf

• Shading and hilighting-statues on columns
• Atmospherice Perspective
• Linear perspective-temple, collonnated peconet and ampitheatre

• Date unknown 50-79AD
• Found in the house of the Dioscouri-4^th style wall
• 93cm wide by 106cm high

• Nicias was a fourth century bc, late classical Athenian artist who portrayed famous myths.
• He reduced the surrounding landscape to the barest essentials and put a lot of emphasis on the character's expressions and gestures
• Portrayed the psychological tension of the closing minutes of the drama, rather than its build up.
• Perseus and Andromeda has these features

• He is a hero in Greek mythology who killed the Gorgon Medus and freed and married Andromeda
• Holds Adromeda's arm to support her, gentle
• Looking at the monster he just killed
• Wears only a cloak, holding a harpe and Medusa's head which he is shielding from Andromeda, wearing wingend boots from Mercury

• As divine punishment for her mother bragging of her beauty, Andromeda was chained to a rock as a sacrifice to a sea monster. Pentheus saved her from death and married her
• Her arm is still lin chains
• She has a calm expression
• Holding up her dress so she doesn't trip

• Triangular composition
• Little background scenery-monster and rocks
• Pentheus and Andromeda look like they could be sculptures

Shading and hilighting-folds on Andromeda's dress and Perseus's muscles

• Painting of a Greek myth
• Background unimportant-figures in the foreground
• Idealisation-Perseus strong and musclely
• Perseus has darker skin than Andromeda