t3boroque

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  1. some stylistic characteristics of baroque art
    •theatrical art and architecture

    • •designed to overwhelm the senses &
    • emotions

    • •unprecedented grandeur and very ornate
    • decoration

    •compositions with diagonals

    •dramatic contrasts of light and dark

    •a sense of movement and energy

    • •design elements used to include the
    • viewer in the artistic space
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    • Saint Peter’s
    • Piazza designed by GIANLORENZO BERNINI, 1656-1667.
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    • BERNINI, baldacchino,
    • Saint Peter’s
    • 1624–1633.
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    • GIANLORENZO
    • BERNINI,
    • David,
    • 1623. Marble
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    • GIANLORENZO BERNINI,
    • inerior of the Cornaro
    • Chapel, 1645-1652.
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    • GIANLORENZO
    • BERNINI, Ecstasy of Saint Teresa
    • 1645–1652
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    • CARAVAGGIO,
    • Conversion of Saint Paul, ca. 1601. Oil on canvas
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    • CARAVAGGIO,
    • Calling of Saint Matthew, ca. 1597–1601. Oil on canvas,
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    • CARAVAGGIO,
    • Entombment
    • 1603. Oil on canvas
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    • GENTILESCHI, Judith
    • Slaying Holofernes,
    • 1614–1620. Oil on canvas
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    • VELÁZQUEZ,
    • Water Carrier of Seville
    • 1619. Oil on canvas
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    • King Philip IV of Spain 1644. Oil on canvas
    • velasquez
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    • PETERPAUL RUBENS, Elevation of the Cross
    • 1610. Oil on wood
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    PETER PAUL RUBENS, Arrival of Marie de’ Medici 1622–1625. Oil on canvas
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    • Rubens,
    • The Presentation of Her Portrait
    • to Henry IV
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    • HENDRICK
    • TER BRUGGHEN, Calling
    • of Saint Matthew,
    • 1621. Oil on canvas.
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    • CLARA
    • PEETERS, Still Life with Flowers, Goblet,
    • Dried Fruit, and Pretzels,
    • 1611. Oil on panel
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    • PIETER
    • CLAESZ, Vanitas Still Life, 1630s. Oil on panel
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    • WILLEM
    • KALF, Still Life with a Late Ming Ginger
    • Jar, 1669. Oil on canvas
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    • RACHEL RUYSCH,
    • Flower Still Life, after 1700. Oil on canvas
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    • REMBRANDT
    • Anatomy Lesson of Dr. Tulp,
    • 1632. Oil on canvas
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    • REMBRANDT
    • (Night Watch), 1642. Oil on canvas (cropped from
    • original size)
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    • zREMBRANDT
    • , Return of the Prodigal Son, ca. 1665. Oil on canvas
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    • REMBRANDT
    • Self-Portrait, ca. 1659–1660. Oil on canvas,
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    • REMBRANDT
    • (Hundred Guilder Print),
    • ca. 1649. Etching
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    • JACOB
    • VAN RUISDAEL, View
    • of Haarleaam from the Dunes at Overveen, ca. 1670. Oil on canvas
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    • JAN
    • VERMEER, Allegory of the Art of Painting, 1670–1675. Oil on canvas,
    • Clio is the figure being painted and she represents history.
    • Camera obscura.
    • circles of confusion-in/out of focus
Author:
Sanchejq
ID:
144106
Card Set:
t3boroque
Updated:
2012-03-29 05:02:49
Tags:
art
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Description:
art
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