t3 contArchitecture

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    • *Figure 17-25 MICHELANGELO BUONARROTI, plan for Saint
    • Peter’s, Vatican City, Rome, Italy, 1550 (1) dome, (2) apse, (3) portico.
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    • MICHELANGELO
    • Saint Peter’s looking NE 1550
    • Dome completed by GIACOMO DELLA PORTA, 1600
    • BAROQUE
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    • Aerial
    • view of Saint Peter’s
    • arms(piazza) made by BERNINI, 1650
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    • MADERNO, facade of Saint Peter’s,
    • 1600
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    • BORROMINI, facade of San Carlo alle
    • Quattro Fontane,
    • 1650
    • four fountain
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    • BORROMINI, plan of San Carlo alle
    • Quattro Fontane,
    • 1650
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    • WREN, new Saint Paul’s Cathedral
    • 1700
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    • Chateau de Chambord, Chambord,
    • France, begun 1519
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    • lescot
    • west wing of the
    • (Square Court) of the Louvre
    • 1550
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    • PALLADIO, Villa Rotonda
    • 1550
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    • *Figure 21-28 THOMAS JEFFERSON
    • 1750.
  12. Why prints?
    THE MULTIPLE

    • Democratic

    • Popular

    • • Lots
    • of them



    As a result, they are:

    • Informative

    • Political

    • Satirical

    • Practical

    • Commemorative

    • Tourism

    • INFLUENTIAL!
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    ALBRECHT DÜRER, The Fall of Man (Adam and Eve), 1504. Engraving,
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    • *FRANCISCO GOYA, The Sleep of Reason
    • Produces Monsters, from Los Caprichos, ca. 1798. Etching and aquatint, 8
    • 1/2"x 6"
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    • HONORÉ DAUMIER, Rue Transnonain,
    • 1834. Lithograph, approx. 1'x 1'5 1/2"
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    • *HONORÉ DAUMIER, Nadar
    • Raising Photography to the Height of Art, 1862. Lithograph, 10 3/4" x 8
    • 3/4"
Author:
Sanchejq
ID:
144504
Card Set:
t3 contArchitecture
Updated:
2012-03-29 03:38:04
Tags:
art
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art
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