Exam #3 - Lecture Questions

Madonna of the Stairs is this artist's earliest known work.

In this sculpture it is the first and only time we question Michelangelos understanding of the figure under drapery.

Unlike Donatello , this artist wanted more unification of sculpture and archiecture.

Da Vinci inspired this artist to use red chalk

This artist began in 15th century, rose to the idealized High Renaissance but towards end he becomes baroque. A genius who trancesds the rules. He wrote rules

He remains faithful to ideas of High Renissance long after it fininshes. His sense of color sets him apart. He is probably only Renaissance artist who transfers panel color to frescoes color – preserves richness of color

This artist was affected by roman renaissance. He was one of the most important painters in Northern Italy- reps a phase of north Italian High Renaissance Art.

This frescoe and painted domes are direct origin of illusionistic baroque

His most enduring contribution was development if illusionistic ceiling painting. Surpasses any baroque artist. Master of this illusionistic technique

The smokiness in this painting by Antonio da Correggio can be compared to da Vinci's sfumato

These are High Renaissance characteristics

The High Renaissance is dont with this artist's death

This artist was influenced by Michelangelo and Da Vinci's apprentice

Who was Fathe rof the Northern Renaiisance

Mannerism lasts from

A. Mannerism was stylized by one stylistic trickery. What is that trickery ?
B. They turned from their models and were influenced by what and who?

He was the leading artist in Mid-16th century Florence

This artist went to the Florentine school of painting

This Bellini was the best known of the Bellini of the Bellini Family

He was the towering master of venetian painting in the Last 40 years of the 15th century

This nig had no competition until Giorgioni showed up!

This cat's influence is Mantegna. However! this changes with the arrival of oil in Venice in 1475. He drops austere style like a hot potato for the opposite.

Bellini - not Mantegna - revolutionizes Venetian painting that he learns from who?

This sucka created the venetian style

With this sucka Venetian art becomes the great
compliment of Florence and Rome

This is characteritic is the cheif instrument of expressionin Venice

Just like Raphael , this nig nig is known for his Madonna's

After 1500 , this cat's landscape backgrounds seemed much more important. Simple rustic landscpaes and people in it are too.

This nig-nig brings northern elements to Italy, contributes to aesthetic development in Italy.

Mantegna influenced this cat

This guys invents a "new kind of mythology." This is seen in his painting , The Feast of the Gods ,the Olympian gods are enjoying human life.

In his work there is a new joy in nature and reverence. This is seen in his approach to landscape.

This painting by Bellini is notable for being a first frontal portrait in Venice. Most men were in profile. This was evidence Venice was stepping in a new direction .

This dude changed the entire course of 16th century venetian painting.

Founder of pastoral (landscape) approach

These are characteristics of Giorione's voyk :

In this painting by Giorgione (and/or Titian) , the nymphs become the standardized Venus types.

This rendering of Venus , in Sleeping Venus by Giorgione, is going to be something characteristic of this city.

This Venetian painter is a master of light and color

In a painting by him its all about color- for him the mode of expression was the importance of color

He breaks with the triangular principle he favored , parametal approach. Angled composition. It is seen in this painting.

What is not characteristic of the high renaissance?
Asymmetry not characteristic of High Renaissance too With this we are on the verge of baroqiue

These two artists recreated "Venus" for the High Renaissance.

This painting by Titian seems far from finished compared to his earlier work

Charateristic of Titians work

The last reilgous works of his reach an expressive point to which few artist could go.

This painter is the most dramatic painter of the 16th century

Opposite of titians methodology this artist starts by covering as much of the canvas as possible

Tintoretto wanted to combine the _____ of Titian and the _____ of Michelangelo.

This artist was the forerunner of the Baraoque style.

All substaniality of renissaince is renounced; now in favor of the inner experience – emotion of the moment . This beings us to a new period of

This artist was Tintoretto's greatest competitor

Last of the great venetians masters until the 18th century

This artist's works are not very religous in subject matter , he sonsidere the richness on this world.

Venetian architecture is the setting for his pantings

This artist is considered the SUPREME colorist

While tintoretto brought us into a certain emotionalism this guys leads us into Baroque