Art History 103

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    Funeral at Ornans, Gustave Courbet, 1850
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    The Sower, Jean Francois Millet, 1850
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    Plowing in the Nivernais, Rosa Bonheur, 1849
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    Luncheon on the Grass, Edouard Manet, 1863
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    Olympia, Edouard Manet, 1863
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    Impression: Sunrise, Claude Monet, 1874
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    A Bar at the Folies-Bergere, Edouard Manet, 1882
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    Haystack, Claude Monet, 1891
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    Mount Sainte-Victoire Seen from Bibemus Quarry, Paul Cezanne, 1900
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    Sunday Afternoon on the Island of La Grande Jatte, Georges Seurat, 1886
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    Night Cafe, Vincent van Gogh, 1888
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    Starry Night, Vincent van Gogh, 1889
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    Vision After the Sermon, Paul Gaugin, 1888
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    Where Do We Come From? What Are We? Where Are We Going?, Paul Gaugin, 1897
  15. Autonomous artwork
    acheived when the subconcious is allowed to create the work, unlocks inner-feeilngs and dreams
  16. Salon des Refuses
    1863- salon in conjunction with the official salon, composed of the rejected artists

    Manet took part and debuted, "Luncheon on the Grass"
  17. avante garde
    the notion that certain artists and ideas are strikingly new or radical for their time

    artists began making art that was only understood by a handful of people: artists and experts
  18. realism
    blunt depiction of modern life, generally without emotion

    i.e existence of country peasants and downtrodeen urban poor

    later evolved into impressionism
  19. impressionism
    empirically capturing the world before the eyes of the artists

    characterized by shimmering sketchiness, bold brushstrokes, strong colors
  20. Flaneur
    man who goes out into the world specifically to analyze people

    "impeccably pressed man with perfect manners who kept abreast of current events through newspapers and gossip...inconspicuousy strolling the streets observing fleeting moments of modern life"
  21. Neo-Impressionism
    "New Impressionism"

    scientific approach, monumentality, and modern approach

    i.e Seurat's pointillism
  22. pointillism
    dots of primary and binary color which cause optical mixing

    unifrom, vibrant, surface that was a "kind of systematized impressionism"
Card Set:
Art History 103
2012-04-27 16:36:29
Gregory Art History 103

Midterm, Spring 2012
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