ARHSF1

• Elisabeth
• Vigee-Lebrun,
• Queen Marie Antoinette and Her Children, 1800
• OC
• Wanted to change th idea of her spending frivolously so she is depicted
• motherly, responsible, gentle, loving and had lost a child

• DAVID, Coronation of Napoleon 1800. Oil on canvas
• Mom wasnt actually there. napoleon crowned himself, not the pope

• Cornelia
• Presenting Her Children as Her Treasures,
• ANGELICA KAUFFMANN, 1800

1750. oil on canvas.

• GROS, Napoleon at the Pesthouse at Jaffa, 1800. Oil on
• canvas
• Orientalism: fascination with exotic cultures (middle east specifically in this
• pic)
• Showed napoleon unafraid to touch the poor, shows as humanitarian. Paralled
• with Rembrandt hundred guilder print

• FRANCISCO GOYA, Third of May, 1808, 1814. Oil on
• canvas
• French soldiers killing rebels

• INGRES, Apotheosis of Homer, 1827 oil on canvas
• reference to Raphael school of Athens.
• Shakespeare, poussin Raphael

• INGRES, Grande Odalisque, 1814. Oil on canvas
• Odalisque is a Turkish arab girl. Nude venus like figure

• GÉRICAULT, Raft of the Medusa, 1818–1819. Oil on canvas
• Trying to speak against slavery, navy ppl left behind, dark skin men present,
• 13 days later 15 survived
• Neoclassic in that the bodies are classical and theres a shape of a stable
• triangle. Its romantic in that its emotionally charged, shows movement,
• overlapping

• Romanticism:
• Emotionally charged, the power of nature, tension. Sublime: the awe inspiring
• terror of nature
• Beautiful: picturesque

• DELACROIX, Death of Sardanapalus, 1827. Oil on canvas
• Orientalism, diagonals, bodies highlighted

• Pousinnist- “classical body”
• Rubbenist “color”
• Delacroix is a rubbenist and ingres is a pousinnist

• DELACROIX, Liberty Leading the People, 1830. Oil on canvas
• Phrygian cap worn when slaves were free. Commemorating the July revolution of
• 1830. Liberty leading the people to freedom, notre dame in the background

• Goya, Saturn devouring his children 1820. Detached fresco
• mounted on canvas.
• Saturn is time. He created things and destroys them. Goya had this piece in his
• dining room.

• Blake, Ancient of Days. Frontispiece of Europe: A prophecy.
• 1800. Metal relief. Etching and hand
• colored.
• URIZEN figure: mix of god and reason.
• Sending rays of reason down and it restricts. Commented on the academy and
• religion as restrictive.

William Blake, Elohim Creating Adam, 1800.

• FRIEDRICH, Abbey in the Oak Forest, 1800. Oil on
• canvas.
• Even when the structure has fallen, it’s the people that make up the
• congregation/church. No building needed. Spiritual image

• CONSTABLE, The Haywain, 1820. Oil on canvas.
• Constable snow: dashes of white paint meant to reflect light on the surface of
• things like trees or water

• david
• oath of horatii
• 1800 oil on canvas

• David
• Death of Marat
• 1800
• oil on canvas
• Had skin cancer, soaked in bathtub to relieve itch. Stabbed by woman delivering note. Letter said he was donating money to charity. pose remeniscent of michaelangelos pieta

• Canova
• Pauline Borghese as Venus
• 1800
• Marble
• napoleons sister posed as venus with apple
• few people allowed to see it cause it showed royalty nude

• Goya,
• the sleep of reason produces monsters
• 1800
• etching and aquatint
• Monsters haunt even the most rational mind
• reason falls asleep while at work

• goya
• Family of charles IV
• 1800
• oil on canvas
• turned head woman is future queen so her identity is still yet to determine. reminscient of las meninas: clothing, pose of woman in the center as she shifts her head slightly towards the left. two great paintings hang in background. artist is shown in the shadows painting the scene.

• Cole
• The Oxbow
• 1830
• Oil on canvas
• self portrait in the foreground
• storm is coming in?

• Daguerre
• Artists Studio
• 1830
• Daguerreotype
• First type of photgraph characterized by sharp focus and great clarity of detail. downside it took FOREVER to make an image...hours!

• Courbet
• Burial at Ornans
• 1830
• oil on canvas
• Huge scale suggests monumentality but painting does not glorify any aspect of life.
• Realism

• show me an angel and ill paint one.
• Painted things one could experience with five senses which often translated to painting the lower classes and their environment.

• Daumier
• Rue Transnonain
• 1830
• Lithograph
• soldier shot from workers apartment so troops went in and shot up the place killing everyone for revenge

• Millet
• the gleaners
• 1850
• oil on canvas
• gleaners were the poorest of the poor, picking up scrapings left over after the general harvest.

• Manet,
• Luncheon on the grass
• 1850
• Oil on canvas
• reminscient of pastoral concert by giorgione
• Jarring juxtaposition of nude woman with contemporarily dressed men
• woman was probs a prostitute
• looking RIGHT at the viewer.
• made men uncomfortable, didnt want their wives to come with them to see it.

• Inspired by titians Venus of Urbino
• Manet, olympia
• 1850 oil on canvas
• Figure is cold and uninviting
• shows a prostitute/ a business woman.
• name is common for prostitutes at the time.
• look is frank, direct, looking right at the viewer
• cat symbolizes sneakery, not to be trusted.