-
- Elisabeth
- Vigee-Lebrun,
- Queen Marie Antoinette and Her Children, 1800
- OC
- Wanted to change th idea of her spending frivolously so she is depicted
- motherly, responsible, gentle, loving and had lost a child
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- DAVID, Coronation of Napoleon 1800. Oil on canvas
- Mom wasnt actually there. napoleon crowned himself, not the pope
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- Cornelia
- Presenting Her Children as Her Treasures,
- ANGELICA KAUFFMANN, 1800
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-
Kauffman, Johann Winckelmann,
1750. oil on canvas.
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- GROS, Napoleon at the Pesthouse at Jaffa, 1800. Oil on
- canvas
- Orientalism: fascination with exotic cultures (middle east specifically in this
- pic)
- Showed napoleon unafraid to touch the poor, shows as humanitarian. Paralled
- with Rembrandt hundred guilder print
-
- FRANCISCO GOYA, Third of May, 1808, 1814. Oil on
- canvas
- French soldiers killing rebels
-
- INGRES, Apotheosis of Homer, 1827 oil on canvas
- reference to Raphael school of Athens.
- Shakespeare, poussin Raphael
-
- INGRES, Grande Odalisque, 1814. Oil on canvas
- Odalisque is a Turkish arab girl. Nude venus like figure
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- GÉRICAULT, Raft of the Medusa, 1818–1819. Oil on canvas
- Trying to speak against slavery, navy ppl left behind, dark skin men present,
- 13 days later 15 survived
- Neoclassic in that the bodies are classical and theres a shape of a stable
- triangle. Its romantic in that its emotionally charged, shows movement,
- overlapping
-
Romanticm characteristics
- Romanticism:
- Emotionally charged, the power of nature, tension. Sublime: the awe inspiring
- terror of nature
- Beautiful: picturesque
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- DELACROIX, Death of Sardanapalus, 1827. Oil on canvas
- Orientalism, diagonals, bodies highlighted
-
what is a pousinist? Rubinist?
- Pousinnist- “classical body”
- Rubbenist “color”
- Delacroix is a rubbenist and ingres is a pousinnist
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- DELACROIX, Liberty Leading the People, 1830. Oil on canvas
- Phrygian cap worn when slaves were free. Commemorating the July revolution of
- 1830. Liberty leading the people to freedom, notre dame in the background
-
- Goya, Saturn devouring his children 1820. Detached fresco
- mounted on canvas.
- Saturn is time. He created things and destroys them. Goya had this piece in his
- dining room.
-
- Blake, Ancient of Days. Frontispiece of Europe: A prophecy.
- 1800. Metal relief. Etching and hand
- colored.
- URIZEN figure: mix of god and reason.
- Sending rays of reason down and it restricts. Commented on the academy and
- religion as restrictive.
-
William Blake, Elohim Creating Adam, 1800.
-
- FRIEDRICH, Abbey in the Oak Forest, 1800. Oil on
- canvas.
- Even when the structure has fallen, it’s the people that make up the
- congregation/church. No building needed. Spiritual image
-
- CONSTABLE, The Haywain, 1820. Oil on canvas.
- Constable snow: dashes of white paint meant to reflect light on the surface of
- things like trees or water
-
- david
- oath of horatii
- 1800 oil on canvas
-
- David
- Death of Marat
- 1800
- oil on canvas
- Had skin cancer, soaked in bathtub to relieve itch. Stabbed by woman delivering note. Letter said he was donating money to charity. pose remeniscent of michaelangelos pieta
-
- Canova
- Pauline Borghese as Venus
- 1800
- Marble
- napoleons sister posed as venus with apple
- few people allowed to see it cause it showed royalty nude
-
- Goya,
- the sleep of reason produces monsters
- 1800
- etching and aquatint
- Monsters haunt even the most rational mind
- reason falls asleep while at work
-
- goya
- Family of charles IV
- 1800
- oil on canvas
- turned head woman is future queen so her identity is still yet to determine. reminscient of las meninas: clothing, pose of woman in the center as she shifts her head slightly towards the left. two great paintings hang in background. artist is shown in the shadows painting the scene.
-
- Cole
- The Oxbow
- 1830
- Oil on canvas
- self portrait in the foreground
- storm is coming in?
-
- Daguerre
- Artists Studio
- 1830
- Daguerreotype
- First type of photgraph characterized by sharp focus and great clarity of detail. downside it took FOREVER to make an image...hours!
-
- Courbet
- Burial at Ornans
- 1830
- oil on canvas
- Huge scale suggests monumentality but painting does not glorify any aspect of life.
- Realism
-
Realism
- show me an angel and ill paint one.
- Painted things one could experience with five senses which often translated to painting the lower classes and their environment.
-
- Daumier
- Rue Transnonain
- 1830
- Lithograph
- soldier shot from workers apartment so troops went in and shot up the place killing everyone for revenge
-
- Millet
- the gleaners
- 1850
- oil on canvas
- gleaners were the poorest of the poor, picking up scrapings left over after the general harvest.
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- Manet,
- Luncheon on the grass
- 1850
- Oil on canvas
- reminscient of pastoral concert by giorgione
- Jarring juxtaposition of nude woman with contemporarily dressed men
- woman was probs a prostitute
- looking RIGHT at the viewer.
- made men uncomfortable, didnt want their wives to come with them to see it.
-
- Inspired by titians Venus of Urbino
- Manet, olympia
- 1850 oil on canvas
- Figure is cold and uninviting
- shows a prostitute/ a business woman.
- name is common for prostitutes at the time.
- look is frank, direct, looking right at the viewer
- cat symbolizes sneakery, not to be trusted.
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