Opera 1

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Author:
Risette
ID:
171385
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Opera 1
Updated:
2012-09-17 02:12:41
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Opera
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Opera 1
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  1. What does opera literally mean?
    "work"
  2. What were the original operas about?
    The first operas were an attempt to recreate the style of ancient Greek drama and contained subjects of Classical Mythology and Ancient History
  3. A printed book containing the words of an opera
    Libretto
  4. Writer of the lyrics in an opera
    Librettist
  5. Can be Coloratura, Soubrette, Lyric, Spinto, Dramatic; often the “heroine” or “prima donna”
    Soprano
  6. Can be Lyric, Coloratura, Dramatic; often play the “trouser” or “pants” role
    Mezzo-soprano/Alto
  7. Often the old maid/witch
    Contralto
  8. Can be Lyric, Dramatic, Castrati/Countertenor/Haute-contre, Character, Wagnerian/Heldon, often the hero
    Tenor
  9. Lyric, found in Mozart’s operas and became popular in Verdi’s operas as a secondary hero
    Baritone
  10. combines the qualities of the bass and the baritone, often associated with Wagner
    Bass-baritone
  11. often a figure of authority such as a king, a priest, a father or a god.
    Bass
  12. A florid figuration or ornamentation
    Coloratura
  13. A passage of floral writing in which several notes are sung to the same syllable
    Melisma
  14. The embellishment of a melodic line, either improvised by the performer or written out by the composer.
    Fiouritura "flourish
  15. "beautiful singing"; A term loosely used to indicate the elegant Italian vocal style of the 18th and 19th Centuries and the operas designed to exploit that style.
    Bel Canto Opera
  16. A term used by Wagner for his music dramas, in which all the arts (music, poetry, movement, design etc) should combine to the same artistic end.
    Gesamtkunstwerk
  17. A term used to signify the Paris Opéra and the operas performed there, especially the monumental works performed at the Opéra during the middle 1800’s.
    Grand Opera
  18. A term for an opera consisting of individual sections or numbers which can be detached from the whole.
    Numbers opera
  19. Continuous Music with no repetitions, breaks or pauses in the music or drama. Unified by Leitmotifs.
    Through-composed opera
  20. A name for the Italian version of the late 19th Century movement towards naturalism in literature, (Emile Zola, Charles Dickens)
    Verismo
  21. Orchestral music designed to precede a dramatic work. Often sets the mood and introduces the main musical themes
    Overture
  22. An introductory scene in which the author explains the context and meaning of the work to follow.
    Prologue
  23. One of the main divisions of an opera, usually completing a part of the action and often having a climax of its own.
    Act
  24. Music written for performance between the acts
    Entr'acte, Interlude, Intermezzo
  25. The concluding, continuously composed, section of an act of an opera. “Lieto fine” – a happy ending
    Finale
  26. Musically-heightened speech that expresses the opera's action
    Recitative
  27. Recitative that includes basso continuo
    Recitativo secco
  28. Recitative that is accompanied by the orchestra
    Recitativo Accompagnato
  29. a small ensemble of at least two instrumentalists who provide a foundation for the melody or melodies above
    basso continuo
  30. passionate, expansive music that expresses the character's emotion
    Aria
  31. Music sung halfway between recitative and aria
    Arioso
  32. French/English term for "song" or "aria"
    Air
  33. Shorter and less elaborate than a fully developed aria
    Arioso
  34. a dance-song
    Ballata
  35. A song inviting a company to raise their glasses and drink
    Brindisi
  36. songs sung outside the dramatic action
    Canzone, Canzonetta
  37. a short aria, without da capo, often an entrance aria
    Cavatina
  38. an instruction to return to the head of the piece of music and repeat the first section
    Aria da capo
  39. A comic song in which the humour derives from having the greatest number of words uttered in the shortest possible time.
    Patter-song
  40. the concluding section of an aria; generally in a fairly rapid tempo and with mounting excitement
    Cabaletta
  41. a virtuoso passage in an aria
    Cadenza
  42. Usually the first, slower part in a two-part aria
    Cantable
  43. The quality of a musical passage or composition that causes it to be sensed as gravitating towards a particular note, called the keynote or tonic.
    Key
  44. The movement out of one key into another as a continuous process. It is particularly used in opera as a device to suggest a change of mood
    Modulation
  45. a short musical idea, melodic, rhythmic, or harmonic
    Motive
  46. a motive that symbolizes a person, object, action, place, etc...
    Leitmotif
  47. The repetition of a musical pattern many times over
    Ostinato
  48. a piece of music constructed around a repeating bass line
    ground bass
  49. A short recurring instrumental passage, particularly the tutti section of a Baroque Aria.
    Ritornello
  50. Term for the form of a song or aria in which all stanzas of the text are set to the same music.
    Strophic
  51. A term for a melody that remains the same in each verse however the accompaniment varies.
    Modified strophic
  52. Term for the form of an aria in which the music for each stanza is different.
    Through-composed
  53. Opera seria, heroic characters, one emotion per aria
    Baroque opera
  54. Opera buffa, realistic characters, rapid changes in mood
    Classical opera

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