Exam 4 Vocal Generas

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Author:
kaila.lifferth
ID:
187956
Filename:
Exam 4 Vocal Generas
Updated:
2012-12-08 13:22:10
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music history
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Description:
vocal generas of 17th and 18th Century
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  1. Opera
    • Le musiche sopra l'Euridice by Jacopo Peri 1600
    • L'Orfeo by Claudio Monteverdi 1607
    • Orontea by Antonio Cesti 1656
    • Armide by Jean-Baptiste Lully 1689
    • Dido and Aeneas by Henry Purcell 1689
    • La purpura de la rosa by Tomas de Torrejon y Velasco 1701
    • La Griselda by Alessandro Scarlatti 1720-21
    • Hyppolyte et Aricie by Jean-Philippe Rameau 1733
    • Giulio Cesare by George Frideric Handel 1724
    • (Little Lucy of Atlanta doesn't like lazy Henry's gift)
  2. Cantata
    • Lagrime mie by Barbara Strozzi 1659
    • Clori vezzosa, e bella by Alessandro Scarlatti 1720-21
    • Nun Komm, der Heiden Heiland by J.S. Bach 1724
    • (love crazy nuns)
  3. Motet (solo and grand)
    • O quam tu pulchra es by Alessandro Grandi 1625 (solo)
    • Te Deum: Conclusion by Jean-Baptiste Lully 1677 (grand)
    •  (ocean time)
  4. Sacred Concerto
    • In ecclesiis by Giovanni Gabrielli 1610
    • O liebe Herre Gott, Kleine geistliche Konzerte I by Heinrich Schutz 1636
    • Saul, was verfolgst du much, Symphoniae sacrae III by Heinrich Schutz 1650
    • (Incredible orgasmic surprise)
  5. Oratorio
    • Historia de Jephte by Giacomo Carissimi 1648
    • St. Matthew's Passion, no. 49 by J.S. Bach 1727 
    • Saul by George Frideric Handel 1738
    • (hate stinky socks)
  6. Song
    • Mira, deh mira Orfeo from L'Orfeo by Claudio Monteverdi 1607
    • Excerpt from La purpura de la rosa by Tomas de Torrenjon y Velasco 1701
  7. Aria (11)
    • Nel Pur ardor from Le musiche sopra l'Euridice by Jacopo Peri 1600
    • Vi ricorda o boschi ombrosi from L'Orfeo by Claudio Monteverdi 1607
    • Lasciatemi Qui Solo by Francesca Caccini 1618
    • Act I, scene 3 from L'incornazione di Poppea by Claudio Monteverdi 1642
    • In torno all' Idol mio from Orontea by Antonio Cesti 1656
    • When I am laid in earth from Dido and Aeneas by Henry Purcell 1689 (ground bass aria)
    • Si, si ben mio from Clori vezzosa, e bella by Alessandro Scarlatti 1690-1710
    • Act I, scene 2 from La Griselda by Alessandro Scarlatti 1720-21 (Da capo aria)
    • V'adoro, Pupille from Giulio Cesare by George Frideric Handel 1724 (Da capo aria)
    • Bewundert, o menschen from Nun Komm, der heiden Heiland by J.S. Bach 1724
    • Streite, siege, starker Held!  from Nun Komm, der heiden Heiland by J.S. Bach 1724
    • (Never Visit LA In Winter Since Advent Vacations Bring Snow)
  8. Recitative
    • Per quell vago boschetto from Le musiche sopra l'Euridice by Jacopo Peri 1600
    • Ahi, caso acerbo from L'Orfeo by Claudio Monteverdi 1607
    • Tu, se' morta from L'Orfeo by Claudio monteverdi 1607
    • O liebe Herre Gott from Kleine geistliche Konzerte I by Heinrich Schutz 1636
    • Act 1, scene 3 from L'incornazione di Poppea by Claudio Monteverdi 1642
    • Plorate colles from Historia de Jephte by Giacomo Carissimi 1648
    • E che si fa? from Orontea by Antonio Cesti 1656
    • Enfin il est en ma puissance from Armide by Jean-Baptiste Lully 1686
    • Thy Hand Belinda from Dido and Aeneas by Henry Purcell 1689
    • Vivo Penando from Clori vezzosa, e bella by Alessandro Scarlatti 1690-1710
    • Conclusion  from Hippolyte et Aricie by Jean-Phillipe Rameau 1733
    • So geht aus Gottes Herrlichkeit unt Thron from Nun Komm, der Heiden Heiland by J.S. Bach 1724
    • Wir ehren diese Herrlichkeit from Nun Komm der Heiden Heiland by J.S. Bach 1724
    • Esequisti from  Giulio Cesare by George Frideric Handel 1724
    • V'adoro, pupille from Giulio Cesare by George Frideric Handel 1724
    • The Time at Length is Come from Saul by George Frideric Handel 1738
    • Where is the Son of Jesse? from Saul by George Frideric Handel 1738
  9. Air
    Enfin il est en ma puissance from Armide by Jean-Baptiste Lully 1686
  10. Chorus

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