-
- Monet, Impression: Sunrise
- Credited with giving impressionism its name
- Impressionist
-
- Gaudí, Casa Milá
- Wavy walls symbolized how nature has no straight lines
- Expressionist
-
- Heckel, Two Men at a Table
- Used ghostly colors and pointed lines to show tension
- Expressionist
-
- Monet, Red Boats at Argenteuil
- Used bold popping colors and short rapid brush stokes
- Impressionist
-
- Matisse, The Red Studio
- No shading, very flat
- Fauvism
-
- Renoir, Two Girls at a Piano
- Beautified scene of everyday activities
- Impressionist
-
- Degas, The Rehearsal
- Showed dancing isn't a perfect as it's perceived
- Impressionist
-
- Gaugin, Ia Orana Maria
- Represents Mary and Jesus with an angel in the background
- Post-impressionist
-
- Nolde, Pentecost
- One of the few expressionist painters to use religion
- Expressionist
-
- Manet, Le Dejeuner sur l’Herbe
- Nude women with clothed men was shocking to people
- Impressionist
-
Van Gogh, The Starry Night
- Brushstrokes allowing for movement
- Post-impressionist
-
Munch, The Scream
- Scream of nature
- Expressionist
-
- Seurat, A Sunday on La Grande Jatte
- Composed of small dots of different colors, technique called pointillism he developed
- Post-impressionist
-
- Morisot, A View of Paris from the Trocadero
- Fence showed separation of women from the city
- Impressionist
-
- Rodin, The Kiss
- Lips don't actually touch because the figures were interrupted
- Impressionist
-
- Cezanne, Mont Sainte-Victoire
- Tried to make nature very geometric
- Post-imp
-
Degas, The Tub
- Keyhole perspective
- Impressionist
-
- Van Gogh, Night Café
- Reflects people are unhappy and alienated
- Post-imp
-
- Cassatt, Mother Combing Sara’s Hair
- Mother's face typically turned away and the child is the main focus
- Imp
|
|
