German film: Editing & sound

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Author:
alipeace11
ID:
252395
Filename:
German film: Editing & sound
Updated:
2013-12-10 17:49:28
Tags:
german film
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Description:
german film
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  1. What are four aspects of editing?
    • 1. transitions
    • 2. matches
    • 3. duration
    • 4. styles
  2. What are six different kinds of transitions? (editing)
    • 1. cheat cut
    • 2. crosscutting
    • 3. cut in cut away
    • 4. dissolve
    • 5. iris
    • 6. superimposition
  3. Cheat cut (transitions, editing)
    editing sacrifices actual space for dramatic space
  4. Crosscutting (transitions, editing)
    editing which alternates 2 or more lines of action in different places, occurring simultaneously
  5. Cut in- cut away (transitions, editing)
    shift from distant framing to closer view of a point in space
  6. Superimposition (transitions, editing)
    exposure of more than one image in the same film strip
  7. Eyeline match (matches, editing)
    we see character and then object or person which the person is observing
  8. Two aspects of duration? (editing)
    • 1. long take
    • 2. rhythm
  9. Long take (duration, editing)
    any continuous shot over one minute in length
  10. rhythm
    • perceived rate and regularity of sounds, shots, movements
    • contributes to mood & overall impression of spectator
    • includes mise-en-scene, cinematography, sounds & editing
    • ex. crescendo of music & intensified framing
  11. Three styles in editing?
    • 1. Continuity editing¬†
    • 2. Montage
    • 3. Elliptical editing
  12. Continuity editing (style, editing)
    cutting to maintain continuous & clear narrative action
  13. Montage (style, editing)
    creates juxtaposition of images to convey idea not present in the shot itself
  14. Elliptical editing (style, editing)
    omits parts of events to convey a sequence
  15. Three aspects of sound?
    • Sound editing
    • Sound source
    • Sound quality
  16. Two types of sound editing?
    • 1. sound bridge
    • 2. sonic flashback
  17. 5 types of sound source?
    • 1. digestic/ nondigestic
    • 2. direct vs postsynchronization sound
    • 3. offscreen sound
    • 4. sound perspective
    • 5. voice over
  18. Digestic/ nondigestic sound (source)
    • digestic: originating from within film's world
    • non-digestic: background music
  19. Direct sound vs postsynchronization (source, sound)
    • direct: music, noise & speech recorded at moment of filming, more realistic¬†
    • post synchronization: sound is dubbed on top of existing silent image
  20. Sound perspective (source, sounds)
    • gives clues about where people are in a scene
    • strong voice indicates proximity
  21. Quality
    the properties of a sound its timbre, volume, reverb, sustain, effect film's aesthetic

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