# IDTA Associate Theory - QUICKSTEP.txt

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1. Quickstep Time Signature
• Written as a fraction appearing at the start of a piece of music
• The top (first) number indicates the number of beats in a bar
• The bottom (second) number indicates the value of the beats
• Quickstep is 4/4 time = 4 beats of crochet value to the bar
2. Quickstep Tempo
• The speed of the music counted in bars or beats per minute
• Walts is played at 50 bars/minute (or 200 beats/minute)
3. Counting in Beats
• 1234, 1234, 1234 etc
• A Slow count = 2 beats
• A Quick count = 1 beat
• An 'and' (&) equals 1/2 beat
4. Counting in Beats and Bars
• 1234, 2234, 3234, etc where the first number denotes the bar while the 2nd, 3rd & 4th the remaining beats of the bar
• A Slow count = 2 beats
• A Quick count = 1 beat
• An 'and' (&) equals 1/2 beat
5. Timing
• The amount of time given to each step or action in relation to the music
• Eg The Progressive Chasse timing is given as SQQS, the beat value being 2112
6. Rhythm
The regular recurrence of an accented beat or beats in the music that gives character to the music and dance
7. Quickstep Accented Beats
Beat One (being the stronger) and beat 3
8. Syncopation
Splitting a beat or beats during a figure
9. Rotation
Movement of the body in a circular motion around a central axis to Right or Left
10. Spin
A continuous turn to Right or Left over 2 or more steps
11. Positions of Feet
this refers to the position of one foot relative to the other at the end of a step
12. Foot Positions
• Forward
• Back
• Side
• Side & slightly forward
• Side & slightly back
• LF (RF) closes to RF (LF) with or without weight
• Diagonally Forward
• Diagonally Back
13. Outside Partner (OP)
A forward step taken to the partner's right side
14. Preparing to Step Outside Partner
this is a step taken forward in a slightly more open position than a normal step
15. Left or Right Side Leading
• This is when the same side of the body moves with the stepping foot.
• The step is taken either forward of back, normally in preparation to step outside partner
16. Contrary Body Movement Position (CBMP)
• The placing of the stepping foot, forward or backward, on to the line of the other foot
• This gives the appearance of CBM having been used but without turning the body
• CBMP is used on all OP steps to ensure a good line and contact
• 'forward and across' in CBMP means that the moving foot travels more across the line of the other foot. This applies to steps in PP only
17. Contrary Body Movement (CBM)
• The body action used to initiate turn
• It is moving the opposite side of the body toward the stepping foot, either forward or backward
• The action is strongest on Natural and Reverse Pivots
• The man's right and lady's left side are in contact with the lady slightly behind the man's right side
• PP is incorporated in the 'positions of feet' column in the charts
19. Fallaway Position
Both man and ladt stepping backward in PP on either foot
20. Direction
Direction is the movement of the foot in relation to the room
21. Alignment
• This refers to the foot or feet and describes where the feet are Facing, Backing or Pointing
• Pointing will occur when on the inside of a turn having taken a side step, turning the foot more than the body
• Pointing will occur on some forward steps in PP
• The body position is sometimes included in the alignment because the body does not match the turning out of the feet when in PP
22. Line of Dance
• The line of forward progression round the ballroom in an anti-clockwise direction.
• The following alignments are used for examination purposes
• 1: Facing LoD or Backing against LoD
• 2: Facing DW or Backing DC against LoD
• 3: Facing Wall or Backing Centre
• 4: Facing DW against LoD or Backing DC
• 5: Backing LoD or Facing agaist LoD
• 6: Facing DC against LoD or Backing DW
• 7: Facing Centre or Backing Wall
• 8: Facing DC or Backing DW against LoD
23. Amounts of Turn
The amount of turn made with the feet between each step
24. Outside of Turn
• Indicates the turn is made following a forward step
• The amount of turn will be divided between steps 1 - 3
• Exception: the action of the man's Heel Pull between 4 & 5 of the Natural Turn with Hesitation causes the lady to make the same amount of turn as the man even though she is on the outside of the turn
• Exception: When dancing 4 - 6 of the Natural Spin Turn (and Natural or Reverse Pivot) the amount of turn for man and lady is the same
25. Inside of Turn
• Indicates the turn is made following a backward step
• There will be no foot turn on step 2
• All the turn is made between steps 2 and 3
• When on the inside of a turn the foot will often turn more than the body, in which case the 'Body turns less' term is used
• Exception: the action of the man's Heel Pull between 4 & 5 of the Natural Turn with Hesitation causes the lady to make the same amount of turn as the man even though she is on the outside of the turn
• Exception: When dancing 4 - 6 of the Natural Spin Turn (and Natural or Reverse Pivot) the amount of turn for man and lady is the same
26. Rise and Fall
• Rise is the increased elevation created by body and leg swing usually accompanied by the raising of the heel or heels from the floor
• Fall is the lowering of the supporting foot from the toe to the heel and the flexing of the knees as the next step is taken
27. No Foot Rise
• This is when the rise is felt through the legs and body but when stepping back no rise occurs in the supporting foot
• When a side step follows NFR, the supporting foot will be flat and when full weigh is taken on step 2 the heel of step one will be released from the floor
28. Types of Rise
• Eg 1-3 Natural Pivot Turn Man: Rise end of 1; Up on 2; Up on 3, lower end of 3, Down on 4
• Eg Quarter Turn to Right Man: Start to rise end of 1; Continue to rise on 2; Continue to rise on 3, Up on 4, lower end of 4
• Other type of rise are included in the charts
29. Footwork
• Describes the working part, or parts, of the foot in contact with the floor during a step
• A step forward with rise or a turn is given as Heel Toe (HT) whereas without just given as Heel (H) although the toe does lower
• Backward walks normally given as TH with the front foot drwn back with the H in contact. The H is not working and is therefore not given unless dancing Heel Turn or Heel Pull
• When a side step follows a backward step the backward step is given as TH and will end flat; the T will not be released when the side step is taken
30. Sway
• The natural inclination of the body, left or right, from the ankles upward
• Use to assist balance and turn and may be used for effect
• The principle of sway is to incline the body toward the inside of a turn
• Sway may be used over 1 or 2 steps
• Some figures have no sway
• The sway used on 5-6 of Natuarl Turn with Hesitation is felt from the waist and is known as Broken Sway
31. Poise
• Man's: .
• Stand in natural, upright position
• Body weight is forward over the balls of the feet with feet flat and the body is inclined forward from the ankles
• Knees are slightly flexed
• Body is braced at the waist with no tension in the chest and shoulders level
• as man's but, the upper body is poised slightly backward from the waist
• This backward poise is not over exaggerated
32. Balance
the correct distribution of the weight over the foot or feet when moving or stationary
33. Ballroom Hold
• Achieve correct ballance and poise
• Swing both arms forward and slightly up without lifting the shoulders
• Invide the lady to take the Man's left hand between the thumb & forefinger, his other fingers close over the lady hand.
• The man positions the lady sligtly to his right
• Man's Left arm slopes down from the shoulder then up from the elbow, the wrist is straight and the hand is held diagonally toward the floor.
• Man's Right hand is placed just under the Lady's Left shoulder blade with his arm sloping slightly down from the shoulder to elbow and onto the hand, fingers are neatly grouped
• Lady's Right hand is joined to the Man's Right between his thumb and forefinger, her fingers lightly closed over his hand.
• Her Right arm sloping gently down from the hand to the elbow then up from the elbow to the shoulder
• The Lady is positionsed slightly to the Man's Right side
• Lady's Left Hand is positioned on the Man's Right arm with fingers neatly grouped just below his Right shoulder
• The hold may be adjusted to accomodate different heights
34. Forward Walk
• (RF Walk is described but, walks can commence on either foot)
• Achieve correct poise and balance and take the full weight onto the Left foot; knees are slightly flexed
• The body (core) starts to move first
• Further flex the Right knee and swing the Right leg forward from the hip
• Keep first the ball of the foot, then the heel in contact with the floor, at the same time releasing the Left heel
• At the full length of stride, the weight is momentarily felt between the heel of the Right foot, with straight knee and the ball of the Left foot, with knee slightly flexed
• With the body continuing to move, lower the tow of the Right foot to end with the foot flat
• Bring the Left foot forward, with slight pressure on the ball of the foot to pass the Right foot and repeat the walking action decribed
• For the Lady, the action is as described except that the Man will be leading and in control throughout
35. Backward walk
• (LF walk is described but, walks can commence on either foot)
• Achieve correct poise and balance and take the full weight onto the Right foot; knees are slightly flexed; release the heel of the Left foot
• Swing the left leg back, from the hip, with first the ball then toe of the Left foot in contact with the floor, releasing the Right toe
• Lower onto the ball of the Left foot so that at the full length of the stride, the weight is momentarily felt between the ball of the Left foot, with knee slightly flexed and the heel of the Right foot, with straight knee
• Continue to move backward with the heel of the Right foot in contact with the floor, slowly lowering to the Left heel
• When the Right foot is level with the Left, the ball of the Right foot will be in contact with the floor
• As the Right foot passes the Left, the heel of the Left foot will complete the lowering, ready to repeat the action described.
• For the Lady, the action is as described except that the Man will be leading and in control throughout
36. Heel Turn / Pull
• Turning of the heel of one (supporting) foot keeping both feet parallel.
• The Heel Turn: ends with the feet together
• The Heel Pull: end with feet slightly apart
37. Heel Turn
• Right foot back, starting to turn to the Left
• The turn will start on the ball of the Right foot, the heel will then lower and the remaining turn will continue on the heel with the foot flat
• A body rise will be felt
• The Left foot will be drawn back with the heel in contact with the floor
• When the Left foot closes to the Right, the feet will be flat and parallel
• A weight change will be made to the Left foot at then end of the turn
• The Heel turns of a Natural Turn are the same except they start Left foot back and turn to the Right
38. Heel Pull
• Left foot back, turning to the right on the heel of the Left foot with the foot flat
• As the turn is made on the Left foot, the Right foot is pulled back with the heel in contact with the floor
• Turn ends with the Right foot to the side, feet parallel
39. Closed Turn
A turn when the feet are closed on the 3rd step with a change of weight
40. Open Turn
A turn when the feet are open on the 3rd step
41. Brush Step
The action of the foot moving from an open position to another open position closing to, or toward the supporting foot without transferrance of weight
42. Natural Pivot
A turn to the Right in the ball of the Left foot with the Right foot held in CBMP
43. Pivoting Action
• The counterpart of the Natural Pivot
• A turn made to the Right on the Ball of the Right foot
• The Left foot is not held in CBMP
44. Quarter Turn to Right, Timing & Beat Value
• Step 1: S - 2 beat
• Step 2: Q - 1 beat
• Step 3: Q - 1 beat
• Step 4: S - 2 beat
45. Quarter Turn to Right, Men's Foot Positions
• Step 1: RIGHT foot forward
• Step 2: LEFT foot side
• Step 3: RIGHT foot closes to Left
• Step 4: LEFT foot to the side and slightly back
46. Quarter Turn to Right, Men's Footwork
• Step 1: Heel Toe
• Step 2: Toe
• Step 3: Toe
• Step 4: Toe Heel
47. Quarter Turn to Right, Men's Alignment
• Step 1: Facing Diagonal to Wall
• Step 2: Backing Centre
• Step 3: Backing Diagonal to Centre
• Step 4: Backing Diagonal to Centre
48. Quarter Turn to Right, Men's Amount of Turn
• Start to turn Right on 1
• 1/8 turn between 1 & 2
• 1/8 turn between 2 & 3
• No turn on 4
49. Quarter Turn to Right, Men's Rise and Fall
• Start to rise end of 1
• Continue to rise on 2
• Continue to rise on 3
• Up on 4, Lower end of 4
50. Quarter Turn to Right, Men's CBM
Step 1
51. Quarter Turn to Right, Men's Sway
Straight throughout
52. Quarter Turn to Right, Lady's Foot Positions
• Step 1: LEFT foot back
• Step 2: RIGHT foot side
• Step 3: LEFT foot closes to Right
• Step 4: RIGHT foot diagonally forward
53. Quarter Turn to Right, Lady's Footwork
• Step 1: Toe Heel
• Step 2: Toe
• Step 3: Toe
• Step 4: Toe Heel
54. Quarter Turn to Right, Lady's Alignment
• Step 1: Backing Diagonal to Wall
• Step 2: Pointing Diagonal to Centre
• Step 3: Facing Diagonal to Centre
• Step 4: Facing Diagonal to Centre
55. Quarter Turn to Right, Lady's Amount of Turn
• Start to turn Right on 1
• 1/4 turn between 1 & 2, body turns less
• Slight body turn on 3
• No turn on 4
56. Quarter Turn to Right, Lady's Rise and Fall
• Start to rise end of 1, no foot rise
• Continue to rise on 2
• Continue to rise on 3
• Up on 4, Lower end of 4
57. Quarter Turn to Right, Lady's CBM
Step 1
58. Quarter Turn to Right, Lady's Sway
Straight throughout
59. Quarter Turn to Right, Precede
• Walk on LF
• Natural Turn at Corner
• When starting step 1 as Man RF Forward in CBMP OP: .
• Progressive Chasse
• Forward Lock Step
60. Quarter Turn to Right, Follow
Progressive Chasse
61. Natural Turn at a Corner, Timing & Beat Value
• Step 1: S - 2 beat
• Step 2: Q - 1 beat
• Step 3: Q - 1 beat
• Step 4: S - 2 beat
• Step 5: S - 2 beat
• Step 6: S - 2 beat
62. Natural Turn at a Corner, Men's Foot Positions
• Step 1: RIGHT foot forward
• Step 2: LEFT foot side
• Step 3: RIGHT foot closes to Left
• Step 4: LEFT foot back
• Step 5: RIGHT foot almost closes to Left (Heel Pull)
• Step 6: LEFT foot forward
63. Natural Turn at a Corner, Men's Footwork
• Step 1: Heel Toe
• Step 2: Toe
• Step 3: Toe Heel
• Step 4: Toe Heel
• Step 5: Heel - Inside Edge of Foot - Whole Foot
• Step 6: Heel
64. Natural Turn at a Corner, Men's Alignment
• Step 1: Facing Diagonal to Wall
• Step 2: Backing Diagonal to Centre
• Step 3: Backing Line of Dance
• Step 4: Backing Line of Dance
• Step 5: Facing Diagonal to Wall on new LoD
• Step 6: Facing Diagonal to Wall on new LoD
65. Natural Turn at a Corner, Men's Amount of Turn
• Start to turn Right on 1
• 1/4 turn between 1 & 2
• 1/8 turn between 2 & 3
• Continue to turn Right on 4
• 3/8 turn between 4 & 5
• No turn on 6
66. Natural Turn at a Corner, Men's Rise and Fall
• Rise end of 1
• Up on 2
• Up on 3, Lower end of 3
• Down on 4
• Down on 5
• Down on 6
67. Natural Turn at a Corner, Men's CBM
Step 1 & 4
68. Natural Turn at a Corner, Men's Sway
• Straight, Right, Right
• Straight, Straight, Straight
69. Natural Turn at a Corner, Lady's Foot Positions
• Step 1: LEFT foot back
• Step 2: RIGHT foot side
• Step 3: LEFT foot closes to Right
• Step 4: RIGHT foot forward
• Step 5: LEFT foot side
• Step 6: RIGHT foot back
70. Natural Turn at a Corner, Lady's Footwork
• Step 1: Toe Heel
• Step 2: Toe
• Step 3: Toe Heel
• Step 4: Heel Toe
• Step 5: Toe Heel
• Step 6: Toe Heel
71. Natural Turn at a Corner, Lady's Alignment
• Step 1: Backing Diagonal to Wall
• Step 2: Pointing Line of Dance
• Step 3: Facing Line of Dance
• Step 4: Facing Line of Dance
• Step 5: Backing new LoD
• Step 6: Backing Diagonal to Wall on new LoD
72. Natural Turn at a Corner, Lady's Amount of Turn
• Start to turn Right on 1
• 3/8 turn between 1 & 2, body turns less
• Body turn completes turn on 3
• Continue to turn Right on 4
• 1/4 turn between 4 & 5
• 1/8 turn between 5 & 6
73. Natural Turn at a Corner, Lady's Rise and Fall
• Rise end of 1, no foot rise
• Up on 2
• Up on 3, Lower end of 3
• Down on 4
• Down on 5
• Down on 6
74. Natural Turn at a Corner, Lady's CBM
Step 1 & 4
75. Natural Turn at a Corner, Lady's Sway
• Straight, Left, Left
• Straight, Straight, Straight
76. Natural Turn at a Corner, Precede
• Walk on LF
• When starting step 1 as Man RF Forward in CBMP OP: .
• Progressive Chasse
• Forward Lock Step
77. Natural Turn at a Corner, Follow
• Quarter Turn Right
• Natural Pivot Turn
• Natural Spin Turn (full and underturned)
• Natural Turn with Hesitation
78. Natural Pivot Turn, Timing & Beat Value
• Step 1: S - 2 beat
• Step 2: Q - 1 beat
• Step 3: Q - 1 beat
• Step 4: S - 2 beat
79. Natural Pivot Turn, Men's Foot Positions
• Step 1: RIGHT foot forward
• Step 2: LEFT foot side
• Step 3: RIGHT foot closes to Left
• Step 4: LEFT foot back, RIGHT foot held in CBMP (Pivot)
80. Natural Pivot Turn, Men's Footwork
• Step 1: Heel Toe
• Step 2: Toe
• Step 3: Toe Heel
• Step 4: Toe Heel Toe (although, the turn is done on the ball of the foot with the heel lightly touching the floor during the turn)
81. Natural Pivot Turn, Men's Alignment
• Step 1: Facing Diagonal to Wall
• Step 2: Backing Diagonal to Centre
• Step 3: Backing LoD
• Step 4: Down LoD Toe turned in, end facing LoD
82. Natural Pivot Turn, Men's Amount of Turn
• Start to turn Right on 1
• 1/4 turn between 1 & 2
• 1/8 turn between 2 & 3
• 1/2 to Right on 4
83. Natural Pivot Turn, Men's Rise and Fall
• Rise end of 1
• Up on 2
• Up on 3, Lower end of 3
• Down on 4
84. Natural Pivot Turn, Men's CBM
Step 1 & 4
85. Natural Pivot Turn, Men's Sway
Straight Right Right Straight
86. Natural Pivot Turn, Lady's Foot Positions
• Step 1: LEFT foot back
• Step 2: RIGHT foot side
• Step 3: LEFT foot closes to Right
• Step 4: RIGHT foot Forward (pivoting action)
87. Natural Pivot Turn, Lady's Footwork
• Step 1: Toe Heel
• Step 2: Toe
• Step 3: Toe
• Step 4: Heel Toe Heel (although, the turn is done on the ball of the foot with the heel in close contact the floor during the turn)
88. Natural Pivot Turn, Lady's Alignment
• Step 1: Backing Diagonal to Wall
• Step 2: Pointing LoD
• Step 3: Facing LoD
• Step 4: Facing LoD, end Backing LoD
89. Natural Pivot Turn, Lady's Amount of Turn
• Start to turn Right on 1
• 3/8 turn between 1 & 2, body turns less
• Body completes turn on 3
• 1/2 turn to Right on 4
90. Natural Pivot Turn, Lady's Rise and Fall
• Rise end of 1, no foot rise
• Up on 2
• Up on 3, Lower end of 3
• Down on 4
91. Natural Pivot Turn, Lady's CBM
Step 1 & 4
92. Natural Pivot Turn, Lady's Sway
Straight Left Left Straight
93. Natural Pivot Turn, Precede
• Walk on LF
• When starting step 1 as Man RF Forward in CBMP OP: .
• Progressive Chasse
• Forward Lock Step
94. Natural Pivot Turn, Follow
Quarter Turn Right making 3/8 turn
95. Natural Pivot Turn, Note
At a corner, Pivot 3/8 to face DW on new LoD; follow with 1/4 Turn Right
96. Natural Spin Turn, Timing & Beat Value
• Step 1: S - 2 beat
• Step 2: Q - 1 beat
• Step 3: Q - 1 beat
• Step 4: S - 2 beat
• Step 5: S - 2 beat
• Step 6: S - 2 beat
97. Natural Spin Turn, Men's Foot Positions
• Step 1: RIGHT foot forward
• Step 2: LEFT foot side
• Step 3: RIGHT foot closes to Left
• Step 4: LEFT foot back, RIGHT foot held in CBMP (Pivot)
• Step 5: RIGHT foot forward
• Step 6: LEFT foot to side and slightly back
98. Natural Spin Turn, Men's Footwork
• Step 1: Heel Toe
• Step 2: Toe
• Step 3: Toe Heel
• Step 4: Toe Heel Toe (although, turn is made on ball of foot while heel lightly brushes the floor)
• Step 5: Heel Toe
• Step 6: Toe Heel
99. Natural Spin Turn, Men's Alignment
• Step 1: Facing Diagonal to Wall
• Step 2: Backing Diagonal to Centre
• Step 3: Backing Line of Dance
• Step 4: Down line LoD Toe turned in, end Facing LoD
• Step 5: Facing LoD
• Step 6: Backing Diagonal to Centre
100. Natural Spin Turn, Men's Amount of Turn
• Start to turn Right on 1
• 1/4 turn between 1 & 2
• 1/8 turn between 2 & 3
• 1/2 turn Right on 4
• Continue to turn Right on 5
• 3/8 turn between 5 & 6
101. Natural Spin Turn, Men's Rise and Fall
• Rise end of 1
• Up on 2
• Up on 3, Lower end of 3
• Down on 4
• Down on 5, Rise end of 5
• Up on 6, Lower end of 6
102. Natural Spin Turn, Men's CBM
Step 1, 4 & 5
103. Natural Spin Turn, Men's Sway
• Straight, Right, Right
• Straight, Straight, Straight
104. Natural Spin Turn, Lady's Foot Positions
• Step 1: LEFT foot back
• Step 2: RIGHT foot side
• Step 3: LEFT foot closes to Right
• Step 4: RIGHT foot forward (pivoting action)
• Step 5: LEFT foot back & slightly leftward, then RIGHT foot brushes to Left
• Step 6: RIGHT foot diagonally forward
105. Natural Spin Turn, Lady's Footwork
• Step 1: Toe Heel
• Step 2: Toe
• Step 3: Toe Heel
• Step 4: Heel Toe (the heel is released from the floor at the start of the turn)
• Step 5: Toe
• Step 6: Toe Heel
106. Natural Spin Turn, Lady's Alignment
• Step 1: Backing Diagonal to Wall
• Step 2: Pointing Line of Dance
• Step 3: Facing Line of Dance
• Step 4: Facing Line of Dance, End backing LoD
• Step 5: Backing LoD
• Step 6: Facing Diagonal to Centre
107. Natural Spin Turn, Lady's Amount of Turn
• Start to turn Right on 1
• 3/8 turn between 1 & 2, body turns less
• Body turn completes turn on 3
• 1/2 turn Right on 4
• Continue to turn Right on 5
• 3/8 turn between 5 & 6
108. Natural Spin Turn, Lady's Rise and Fall
• Rise end of 1, no foot rise
• Up on 2
• Up on 3, Lower end of 3
• Down on 4
• Down on 5, Rise end of 5
• Up on 6, Lower end of 6
109. Natural Spin Turn, Lady's CBM
Step 1 & 4
110. Natural Spin Turn, Lady's Sway
• Straight, Left, Left
• Straight, Straight, Straight
111. Natural Spin Turn, Precede
• Walk on LF
• When starting step 1 as Man RF Forward in CBMP OP: .
• Progressive Chasse
• Forward Lock Step
112. Natural Spin Turn, Follow
Progressive Chasse
113. Underturned Natural Spin Turn at a Corner, Timing & Beat Value
• Step 1: S - 2 beat
• Step 2: Q - 1 beat
• Step 3: Q - 1 beat
• Step 4: S - 2 beat
• Step 5: S - 2 beat
• Step 6: S - 2 beat
114. Underturned Natural Spin Turn at a Corner, Men's Foot Positions
• Step 1: RIGHT foot forward
• Step 2: LEFT foot side
• Step 3: RIGHT foot closes to Left
• Step 4: LEFT foot back, RIGHT foot held in CBMP (Pivot)
• Step 5: RIGHT foot forward
• Step 6: LEFT foot to side and slightly back
115. Underturned Natural Spin Turn at a Corner, Men's Footwork
• Step 1: Heel Toe
• Step 2: Toe
• Step 3: Toe Heel
• Step 4: Toe Heel Toe (although, turn is made on ball of foot while heel lightly brushes the floor)
• Step 5: Heel Toe
• Step 6: Toe Heel
116. Underturned Natural Spin Turn at a Corner, Men's Alignment
• Step 1: Facing Diagonal to Wall
• Step 2: Backing Diagonal to Centre
• Step 3: Backing Line of Dance
• Step 4: Down line LoD Toe turned in, end Facing Diagonal to Wall of new LoD
• Step 5: Facing Diagonal to Wall
• Step 6: Backing Diagonal to Centre
117. Underturned Natural Spin Turn at a Corner, Men's Amount of Turn
• Start to turn Right on 1
• 1/4 turn between 1 & 2
• 1/8 turn between 2 & 3
• 3/8 turn Right on 4
• Continue to turn Right on 5
• 1/4 turn between 5 & 6
118. Underturned Natural Spin Turn at a Corner, Men's Rise and Fall
• Rise end of 1
• Up on 2
• Up on 3, Lower end of 3
• Down on 4
• Down on 5, Rise end of 5
• Up on 6, Lower end of 6
119. Underturned Natural Spin Turn at a Corner, Men's CBM
Step 1, 4 & 5
120. Underturned Natural Spin Turn at a Corner, Men's Sway
• Straight, Right, Right
• Straight, Straight, Straight
121. Underturned Natural Spin Turn at a Corner, Lady's Foot Positions
• Step 1: LEFT foot back
• Step 2: RIGHT foot side
• Step 3: LEFT foot closes to Right
• Step 4: RIGHT foot forward (pivoting action)
• Step 5: LEFT foot back & slightly leftward, then RIGHT foot brushes to Left
• Step 6: RIGHT foot diagonally forward
122. Underturned Natural Spin Turn at a Corner, Lady's Footwork
• Step 1: Toe Heel
• Step 2: Toe
• Step 3: Toe Heel
• Step 4: Heel Toe (the heel is released from the floor at the start of the turn)
• Step 5: Toe
• Step 6: Toe Heel
123. Underturned Natural Spin Turn at a Corner, Lady's Alignment
• Step 1: Backing Diagonal to Wall
• Step 2: Pointing Line of Dance
• Step 3: Facing Line of Dance
• Step 4: Facing Line of Dance, End backing Diagonal to Wall of new LoD
• Step 5: Backing Diagonal to Wall
• Step 6: Facing Diagonal to Centre
124. Underturned Natural Spin Turn at a Corner, Lady's Amount of Turn
• Start to turn Right on 1
• 3/8 turn between 1 & 2, body turns less
• Body turn completes turn on 3
• 3/8 turn Right on 4
• Continue to turn Right on 5
• 1/4 turn between 5 & 6
125. Underturned Natural Spin Turn at a Corner, Lady's Rise and Fall
• Rise end of 1, no foot rise
• Up on 2
• Up on 3, Lower end of 3
• Down on 4
• Down on 5, Rise end of 5
• Up on 6, Lower end of 6
126. Underturned Natural Spin Turn at a Corner, Lady's CBM
Step 1 & 4
127. Underturned Natural Spin Turn at a Corner, Lady's Sway
• Straight, Left, Left
• Straight, Straight, Straight
128. Underturned Natural Spin Turn at a Corner, Precede
• Walk on LF
• When starting step 1 as Man RF Forward in CBMP OP: .
• Progressive Chasse
• Forward Lock Step
129. Underturned Natural Spin Turn at a Corner, Follow
Progressive Chasse
130. Underturned Natural Spin Turn at a Corner, Note
The same amount of turn may be danced along the side of the room to end Backing DC against LoD
131. Natural Turn with Hesitation, Timing & Beat Value
• Step 1: S - 2 beat
• Step 2: Q - 1 beat
• Step 3: Q - 1 beat
• Step 4: S - 2 beat
• Step 5: S - 2 beat
• Step 6: S - 2 beat
132. Natural Turn with Hesitation, Men's Foot Positions
• Step 1: RIGHT foot forward
• Step 2: LEFT foot side
• Step 3: RIGHT foot closes to Left
• Step 4: LEFT foot back
• Step 5: RIGHT foot side (Heel Pull)
• Step 6: LEFT foot closes to Right without weight
133. Natural Turn with Hesitation, Men's Footwork
• Step 1: Heel Toe
• Step 2: Toe
• Step 3: Toe Heel
• Step 4: Toe Heel
• Step 5: Heel inside edge of Foot, Whole Foot
• Step 6: Inside edge of Toe
134. Natural Turn with Hesitation, Men's Alignment
• Step 1: Facing Diagonal to Wall
• Step 2: Backing Diagonal to Centre
• Step 3: Backing Line of Dance
• Step 4: Backing Line ofDance
• Step 5: Facing Diagonal to Centre (can be underturned at corner to Face DC of new LoD)
• Step 6: Facing Diagonal to Centre
135. Natural Turn with Hesitation, Men's Amount of Turn
• Start to turn Right on 1
• 1/4 turn between 1 & 2
• 1/8 turn between 2 & 3
• Continue to turn Right on 4
• 3/8 turn between 4 & 5 (can be underturned (1/8) at corner to Face DC of new LoD)
• No turn on 6
136. Natural Turn with Hesitation, Men's Rise and Fall
• Rise end of 1
• Up on 2
• Up on 3, Lower end of 3
• Down on 4
• Down on 5
• Down on 6
137. Natural Turn with Hesitation, Men's CBM
Step 1 & 4
138. Natural Turn with Hesitation, Men's Sway
• Straight, Right, Right
• Straight, Left, Left
139. Natural Turn with Hesitation, Lady's Foot Positions
• Step 1: LEFT foot back
• Step 2: RIGHT foot side
• Step 3: LEFT foot closes to Right
• Step 4: RIGHT foot forward
• Step 5: LEFT foot side
• Step 6: RIGHT foot closes to Left without weight
140. Natural Turn with Hesitation, Lady's Footwork
• Step 1: Toe Heel
• Step 2: Toe
• Step 3: Toe Heel
• Step 4: Heel Toe
• Step 5: Toe Heel
• Step 6: Inside edge of Toe
141. Natural Turn with Hesitation, Lady's Alignment
• Step 1: Backing Diagonal to Wall
• Step 2: Pointing Line of Dance
• Step 3: Facing Line of Dance
• Step 4: Facing Line of Dance
• Step 5: Backing Diagonal to Centre
• Step 6: Backing Diagonal to Centre
142. Natural Turn with Hesitation, Lady's Amount of Turn
• Start to turn Right on 1
• 3/8 turn between 1 & 2, body turns less
• Body turn completes turn on 3
• Continue to turn Right on 4
• 3/8 turn Right between 4 & 5
• No turn on 6
143. Natural Turn with Hesitation, Lady's Rise and Fall
• Rise end of 1, no foot rise
• Up on 2
• Up on 3, Lower end of 3
• Down on 4
• Down on 5
• Down on 6
144. Natural Turn with Hesitation, Lady's CBM
Step 1 & 4
145. Natural Turn with Hesitation, Lady's Sway
• Straight, Left, Left
• Straight, Right, Right
146. Natural Turn with Hesitation, Precede
• Walk on LF
• When starting step 1 as Man RF Forward in CBMP OP: .
• Progressive Chasse
• Forward Lock Step
147. Natural Turn with Hesitation, Follow
• Progressive Chasse to Right
• Reverse Turn
• Quick Open Reverse Turn
148. Natural Turn with Hesitation, Note
149. Progressive Chasse, Timing & Beat Value
• Step 1: S - 2 beat
• Step 2: Q - 1 beat
• Step 3: Q - 1 beat
• Step 4: S - 2 beat
150. Progressive Chasse, Men's Foot Positions
• Step 1: RIGHT foot back
• Step 2: LEFT foot side
• Step 3: RIGHT foot closes to Left
• Step 4: LEFT foot to the side and slightly forward
151. Progressive Chasse, Men's Footwork
• Step 1: Toe Heel
• Step 2: Toe
• Step 3: Toe
• Step 4: Toe Heel
152. Progressive Chasse, Men's Alignment
• Step 1: Backing Diagonal to Centre
• Step 2: Pointing Diagonal to Wall
• Step 3: Facing Diagonal to Wall
• Step 4: Facing Diagonal to Wall
153. Progressive Chasse, Men's Amount of Turn
• Start to turn Left on 1
• 1/4 turn between 1 & 2, Body turns less
• Slight body turn on 3
• No turn on 4
154. Progressive Chasse, Men's Rise and Fall
• Start to rise end of 1, no foot rise
• Continue to rise on 2
• Continue to rise on 3
• Up on 4, Lower end of 4
155. Progressive Chasse, Men's CBM
Step 1
156. Progressive Chasse, Men's Sway
Straight throughout
157. Progressive Chasse, Lady's Foot Positions
• Step 1: LEFT foot forward
• Step 2: RIGHT foot side
• Step 3: LEFT foot closes to Right
• Step 4: RIGHT foot to side and slightly back
• Step 1: Heel Toe
• Step 2: Toe
• Step 3: Toe
• Step 4: Toe Heel
• Step 1: Facing Diagonal to Centre
• Step 2: Backing Wall
• Step 3: Backing Diagonal to Wall
• Step 4: Backing Diagonal to Wall
160. Progressive Chasse, Lady's Amount of Turn
• Start to turn Left on 1
• 1/8 turn between 1 & 2
• 1/8 turn between 2 & 3, body turns less
• No turn on 4
161. Progressive Chasse, Lady's Rise and Fall
• Start to rise end of 1
• Continue to rise on 2
• Continue to rise on 3
• Up on 4, Lower end of 4
Step 1
Straight throughout
164. Progressive Chasse, Precede
• 1/4 Turn to Right
• Natural & Underturned Natural Spin Turn
• If started backing LoD turning 3/8: Reverse Turn
165. Progressive Chasse, Follow
• RF Forward outside partner in CBMP into any natural figure
• Forward Lock Step
• When ended DC: RF forward in CBMP Outside partnet into any Reverse Figure
166. Progressive Chasse, Note
• The figure may start Backing LoD making 3/8 Turn
• The figure may start Backing DC against Lod an will move towards Centre with Step 2 pointing DC as Man
167. Forward Lock Step, Timing & Beat Value
• Step 1: S - 2 beat
• Step 2: Q - 1 beat
• Step 3: Q - 1 beat
• Step 4: S - 2 beat
168. Forward Lock Step, Footwork
• Step 1: Heel Toe
• Step 2: Toe
• Step 3: Toe
• Step 4: Toe Heel
169. Forward Lock Step, Alignment
• Step 1: Facing Diagonal to Wall
• Step 2: Facing Diagonal to Wall
• Step 3: Facing Diagonal to Wall
• Step 4: Facing Diagonal to Wall
170. Forward Lock Step, Amount of Turn
No turn
171. Forward Lock Step, Rise and Fall
• Start to rise end of 1
• Continue to rise on 2
• Continue to rise on 3
• Up on 4, Lower end of 4
172. Forward Lock Step, CBM
None
173. Forward Lock Step, Sway
Straight throughout
174. Forward Lock Step, Precede
• Progressive Chasse
• Steps 2-4 may be danced after Tipple Chasse to Right; a Left Side Lead will be used
175. Forward Lock Step, Follow
• RF Forward outside partner in CBMP into any natural figure
• When ended DC: RF forward in CBMP Outside partnet into any Reverse Figure
176. Forward Lock Step, Note
The body should be facing between Wall and DW throughout
177. Backward Lock Step, Timing & Beat Value
• Step 1: S - 2 beat
• Step 2: Q - 1 beat
• Step 3: Q - 1 beat
• Step 4: S - 2 beat
178. Backward Lock Step, Footwork
• Step 1: Toe Heel
• Step 2: Toe
• Step 3: Toe
• Step 4: Toe Heel
179. Backward Lock Step, Alignment
• Step 1: Backing Diagonal to Wall
• Step 2: Backing Diagonal to Wall
• Step 3: Backing Diagonal to Wall
• Step 4: Backing Diagonal to Wall
180. Backward Lock Step, Amount of Turn
No turn
181. Backward Lock Step, Rise and Fall
• Start to rise end of 1, no foot rise
• Continue to rise on 2
• Continue to rise on 3
• Up on 4, Lower end of 4
182. Backward Lock Step, CBM
None
183. Backward Lock Step, Sway
Straight throughout
184. Backward Lock Step, Precede
Progressive Chasse to Right
185. Backward Lock Step, Follow
• Tipple Chasse to Right
• 4-6 of Natural Turn with Hesitation
186. Backward Lock Step, Note
• The body should be backing between Wall and DW throughout
• The Heel will be drawn back in contact with the floor on steps 1-2
187. Progressive Chasse to Right, Timing & Beat Value
• Step 1: S - 2 beat
• Step 2: Q - 1 beat
• Step 3: Q - 1 beat
• Step 4: S - 2 beat
188. Progressive Chasse to Right, Men's Foot Positions
• Step 1: LEFT foot forward
• Step 2: RIGHT foot side
• Step 3: LEFT foot closes to Right
• Step 4: RIGHT foot to the side and slightly back
189. Progressive Chasse to Right, Men's Footwork
• Step 1: Heel Tow
• Step 2: Toe
• Step 3: Toe
• Step 4: Toe Heel
190. Progressive Chasse to Right, Men's Alignment
• Step 1: Facing Diagonal to Centre
• Step 2: Backing Wall
• Step 3: Backing Diagonal to Wall
• Step 4: Backing Diagonal to Wall
191. Progressive Chasse to Right, Men's Amount of Turn
• Start to turn Left on 1
• 1/8 turn between 1 & 2,
• 1/8 turn between 2 & 3, Body turns less
• No turn on 4
192. Progressive Chasse to Right, Men's Rise and Fall
• Start to rise end of 1
• Continue to rise on 2
• Continue to rise on 3
• Up on 4, Lower end of 4
193. Progressive Chasse to Right, Men's CBM
Step 1
194. Progressive Chasse to Right, Men's Sway
Straight throughout
195. Progressive Chasse to Right, Lady's Foot Positions
• Step 1: RIGHT foot back
• Step 2: LEFT foot side
• Step 3: RIGHT foot closes to Left
• Step 4: LEFT foot to side and slightly forward
196. Progressive Chasse to Right, Lady's Footwork
• Step 1: Toe Heel
• Step 2: Toe
• Step 3: Toe
• Step 4: Toe Heel
197. Progressive Chasse to Right, Lady's Alignment
• Step 1: Backing Diagonal to Centre
• Step 2: Pointing Diagonal to Wall
• Step 3: Facing Diagonal to Wall
• Step 4: Facing Diagonal to Wall
198. Progressive Chasse to Right, Lady's Amount of Turn
• Start to turn Left on 1
• 1/4 turn between 1 & 2, body turns less
• Slight body turn on 3
• No turn on 4
199. Progressive Chasse to Right, Lady's Rise and Fall
• Start to rise end of 1, No foot rise
• Continue to rise on 2
• Continue to rise on 3
• Up on 4, Lower end of 4
200. Progressive Chasse to Right, Lady's CBM
Step 1
201. Progressive Chasse to Right, Lady's Sway
Straight throughout
202. Progressive Chasse to Right, Precede
Natural Turn with Hesitation
203. Progressive Chasse to Right, Follow
When ended Backing DW: 4-6 Natural Turn with Hesitation, Backward Lock Step, Tipple Chasse to Right
204. Reverse Turn, Timing & Beat Value
• Step 1: S - 2 beat
• Step 2: Q - 1 beat
• Step 3: Q - 1 beat
205. Reverse Turn, Men's Foot Positions
• Step 1: LEFT foot forward
• Step 2: RIGHT foot side
• Step 3: LEFT foot closes to Right
206. Reverse Turn, Men's Footwork
• Step 1: Heel Toe
• Step 2: Toe
• Step 3: Toe Heel
207. Reverse Turn, Men's Alignment
• Step 1: Facing Diagonal to Centre
• Step 2: Backing Diagonal to Wall
• Step 3: Backing Line of Dance
208. Reverse Turn, Men's Amount of Turn
• Start to turn Lefton 1
• 1/4 turn between 1 & 2
• 1/8 turn between 2 & 3
209. Reverse Turn, Men's Rise and Fall
• Rise end of 1
• Up on 2
• Up on 3, Lower end of 3
210. Reverse Turn, Men's CBM
Step 1
211. Reverse Turn, Men's Sway
Straight, Left, Left
212. Reverse Turn, Lady's Foot Positions
• Step 1: RIGHT foot back
• Step 2: LEFT foot side
• Step 3: RIGHT foot closes to Left
• Step 1: Toe Heel
• Step 2: Toe
• Step 3: Toe Heel
• Step 1: Backing Diagonal to Wall
• Step 2: Pointing Line of Dance
• Step 3: Facing Line of Dance
215. Reverse Turn, Lady's Amount of Turn
• Start to turn Left on 1
• 3/8 turn between 1 & 2, body turns less
• Body turn completes turn on 3
216. Reverse Turn, Lady's Rise and Fall
• Rise end of 1, no foot rise
• Up on 2
• Up on 3, Lower end of 3
Step 1
Straight, Right, Right
219. Reverse Turn, Precede
Natural Turn with Hesitation
220. Reverse Turn, Follow
Progressive Chasse
221. Quick Open Reverse Turn, Timing & Beat Value
• Step 1: S - 2 beat
• Step 2: Q - 1 beat
• Step 3: Q - 1 beat
222. Quick Open Reverse Turn, Men's Foot Positions
• Step 1: LEFT foot forward
• Step 2: RIGHT foot side
• Step 3: LEFT foot back in CBMP
223. Quick Open Reverse Turn, Men's Footwork
• Step 1: Heel Toe
• Step 2: Toe
• Step 3: Toe Heel
224. Quick Open Reverse Turn, Men's Alignment
• Step 1: Facing Diagonal to Centre
• Step 2: Backing Diagonal to Wall
• Step 3: Backing Line of Dance
225. Quick Open Reverse Turn, Men's Amount of Turn
• Start to turn Lefton 1
• 1/4 turn between 1 & 2
• 1/8 turn between 2 & 3
226. Quick Open Reverse Turn, Men's Rise and Fall
• Rise end of 1
• Up on 2
• Up on 3, Lower end of 3
227. Quick Open Reverse Turn, Men's CBM
Step 1
228. Quick Open Reverse Turn, Men's Sway
Straight, Left, Left
229. Quick Open Reverse Turn, Lady's Foot Positions
• Step 1: RIGHT foot back
• Step 2: LEFT foot side
• Step 3: RIGHT foot forward in CBMP outside partner
230. Quick Open Reverse Turn, Lady's Footwork
• Step 1: Toe Heel
• Step 2: Toe
• Step 3: Toe Heel
231. Quick Open Reverse Turn, Lady's Alignment
• Step 1: Backing Diagonal to Wall
• Step 2: Pointing Line of Dance
• Step 3: Facing Line of Dance
232. Quick Open Reverse Turn, Lady's Amount of Turn
• Start to turn Left on 1
• 3/8 turn between 1 & 2, body turns less
• Slight body turn Left on 3
233. Quick Open Reverse Turn, Lady's Rise and Fall
• Rise end of 1, no foot rise
• Up on 2
• Up on 3, Lower end of 3
234. Quick Open Reverse Turn, Lady's CBM
Step 1
235. Quick Open Reverse Turn, Lady's Sway
Straight, Right, Right
236. Quick Open Reverse Turn, Precede
• Walk on RF outside partner in CBMP
• Natural Turn with Hesitation
237. Quick Open Reverse Turn, Follow
Progressive Chasse
238. Quick Open Reverse Turn, Note
the figure may be started facing LoD (Man) with 1/2 turn left between 1 & 3
239. Tipple Chasse to Right at a Corner, Timing & Beat Value
• Step 1: S - 2 beat
• Step 2: Q - 1 beat
• Step 3: Q - 1 beat
• Step 4: S - 2 beat
240. Tipple Chasse to Right at a Corner, Men's Foot Positions
• Step 1: LEFT foot back
• Step 2: RIGHT foot side
• Step 3: LEFT foot closes to Right
• Step 4: RIGHT foot to the side and slightly forward
241. Tipple Chasse to Right at a Corner, Men's Footwork
• Step 1: Toe Heel
• Step 2: Toe
• Step 3: Toe
• Step 4: Toe Heel
242. Tipple Chasse to Right at a Corner, Men's Alignment
• Step 1: Backing Line of Dance
• Step 2: Facing NEW Line of Dance
• Step 3: Facing Line of Dance
• Step 4: Facing Diagonal to Wall
243. Tipple Chasse to Right at a Corner, Men's Amount of Turn
• Start to turn Right on 1
• 1/4 turn between 1 & 2
• No turn on 3
• 1/8 turn between 3 & 4
244. Tipple Chasse to Right at a Corner, Men's Rise and Fall
• Start to rise end of 1, no foot rise
• Continue to rise on 2
• Continue to rise on 3
• Up on 4, Lower end of 4
245. Tipple Chasse to Right at a Corner, Men's CBM
Step 1
246. Tipple Chasse to Right at a Corner, Men's Sway
Right on step 4
247. Tipple Chasse to Right at a Corner, Lady's Foot Positions
• Step 1: RIGHT foot forward
• Step 2: LEFT foot side
• Step 3: RIGHT foot closes to Left
• Step 4: LEFT foot to side and slightly back
248. Tipple Chasse to Right at a Corner, Lady's Footwork
• Step 1: Heel Toe
• Step 2: Toe
• Step 3: Toe
• Step 4: Toe Heel
249. Tipple Chasse to Right at a Corner, Lady's Alignment
• Step 1: Facing Line of Dance
• Step 2: Backing NEW Line of Dance
• Step 3: Backing Line of Dance
• Step 4: Backing Diagonal to Wall
250. Tipple Chasse to Right at a Corner, Lady's Amount of Turn
• Start to turn Right on 1
• 1/4 turn between 1 & 2
• No turn on 3
• 1/8 turn between 3 & 4
251. Tipple Chasse to Right at a Corner, Lady's Rise and Fall
• Start to rise end of 1
• Continue to rise on 2
• Continue to rise on 3
• Up on 4, Lower end of 4
252. Tipple Chasse to Right at a Corner, Lady's CBM
Step 1
253. Tipple Chasse to Right at a Corner, Lady's Sway
Left on Step 4
254. Tipple Chasse to Right at a Corner, Precede
1-3 Natural Turn
255. Tipple Chasse to Right at a Corner, Follow
2-4 of Forward Lock Step
256. Tipple Chasse to Right at a Corner, Note
• On step 4 the knees will flex slightly. The heel will slightly touch the floor
• Less turn may be made: Step 4 will be RF to side facing new LoD and step 2 of Forward Lock Step will be diagonally forward as man, diagonally back as lady. The Forward Lock will move DC of new LoD
• Rise and Fall on 2-4 of Fwd Lock Step will be: Start to rise end of preceding step (RF), Continue to rise on 2 & 3, Up on 4, Lower end of 4. A Left side lead will be used on step 2.
257. Tipple Chasse to Right along side of room, Timing & Beat Value
• Step 1: S - 2 beat
• Step 2: Q - 1 beat
• Step 3: Q - 1 beat
• Step 4: S - 2 beat
258. Tipple Chasse to Right along side of room, Men's Foot Positions
• Step 1: LEFT foot back on CBMP
• Step 2: RIGHT foot side
• Step 3: LEFT foot closes to Right
• Step 4: RIGHT foot to the side and slightly forward
259. Tipple Chasse to Right along side of room, Men's Footwork
• Step 1: Toe Heel
• Step 2: Toe
• Step 3: Toe
• Step 4: Toe Heel
260. Tipple Chasse to Right along side of room, Men's Alignment
• Step 1: Backing Diagonal to Wall
• Step 2: Pointing Line of Dance
• Step 3: Facing Line of Dance
• Step 4: Facing Diagonal to Wall
261. Tipple Chasse to Right along side of room, Men's Amount of Turn
• Start to turn Right on 1
• 3/8 turn between 1 & 2, body turns less
• Body completes turn on 3
• 1/8 turn between 3 & 4
262. Tipple Chasse to Right along side of room, Men's Rise and Fall
• Start to rise end of 1, no foot rise
• Continue to rise on 2
• Continue to rise on 3
• Up on 4, Lower end of 4
263. Tipple Chasse to Right along side of room, Men's CBM
Step 1
264. Tipple Chasse to Right along side of room, Men's Sway
Right on step 4
265. Tipple Chasse to Right along side of room, Lady's Foot Positions
• Step 1: RIGHT foot forward in CBMP Outside Partner
• Step 2: LEFT foot side
• Step 3: RIGHT foot closes to Left
• Step 4: LEFT foot to side and slightly back
266. Tipple Chasse to Right along side of room, Lady's Footwork
• Step 1: Heel Toe
• Step 2: Toe
• Step 3: Toe
• Step 4: Toe Heel
267. Tipple Chasse to Right along side of room, Lady's Alignment
• Step 1: Facing Diagonal to Wall
• Step 2: Backing Diagonal to Centre
• Step 3: Backing Line of Dance
• Step 4: Backing Diagonal to Wall
268. Tipple Chasse to Right along side of room, Lady's Amount of Turn
• Start to turn Right on 1
• 1/4 turn between 1 & 2
• 1/8 turn between 2 & 3
• 1/8 turn between 3 & 4
269. Tipple Chasse to Right along side of room, Lady's Rise and Fall
• Start to rise end of 1
• Continue to rise on 2
• Continue to rise on 3
• Up on 4, Lower end of 4
270. Tipple Chasse to Right along side of room, Lady's CBM
Step 1
271. Tipple Chasse to Right along side of room, Lady's Sway
Left on Step 4
272. Tipple Chasse to Right along side of room, Precede
• Backward Lock Step
• Progressive Chasse Right
273. Tipple Chasse to Right along side of room, Follow
2-4 of Forward Lock Step
274. Tipple Chasse to Right along side of room, Note
• On step 4 the knees will flex slightly. The heel will slightly touch the floor
• Rise and Fall on 2-4 of Fwd Lock Step will be: Start to rise end of preceding step (RF), Continue to rise on 2 & 3, Up on 4, Lower end of 4. A Left side leed will be used on step 2.
 Author: Markaich ID: 272224 Card Set: IDTA Associate Theory - QUICKSTEP.txt Updated: 2014-04-28 12:44:42 Tags: IDTA Ballroom Dancing Theory Quickstep Associate Folders: Description: IDTA Ballroom Dance Associate Theory, QUICKSTEP Show Answers: