Metro- Worster- HWMI Test I

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  1. Mass for Christmas Day
    • (b) Kyrie
    • (c) Gloria
    • (d) Gradual: Viderunt omnes
    • (e) Alleluia: Dies sanctificatus
    • (f) Credo
    • (h) Sanctus
    • (i) Agnus Dei
  2. b) Kyrie
    ♫Lord have mercy. Christ have mercy. Lord have mercy. 

    ♫Kyrie's origins > Byzantine processional Litany.

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  3. (c) Gloria
    ♫aska: Greater Doxology. 

    ♫formula of praise, Asks for mercy. The priest then prays for everyone there.

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  4. (d) Gradual: Viderunt omnes
    ♫ one of two Elaborate chants. Soloist or soloists with responses from choir. 

    ♫ means stair step.

    ♫ Graduals are more melismatic than responories.
  5. Viderunt omnes
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  6. (e) Alleluia: Dies sanctificatus
    ♫ one of two Elaborate chants. Soloist or soloists with responses from choir.

    ♫  means praise God. > Hebrew
  7. Dies sanctificatus
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  8. (f) Credo
    • ♫ End of the liturgy word concluded with Credo. 
    • ♫ Statement of faith that tells of Jesus' main events in life.
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  9. (h) Sanctus
    ♫ happens during offertory.

    ♫ means holy x 3

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  10. (i) Agnus Dei
    ♫ follows the lords prayer

    ♫ means lamb of God

    ♫ also adapted from the Byzantine litany.

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  11. 4. Chants from Vespers for Christmas Day
    • (a) First Antiphon: Tecum principium and psalm Dixit Dominus
    • (b) Hymn: Christe Redemptor omnium
  12. (a) First Antiphon: Tecum principium and psalm Dixit Dominus
    • ♫ antiphon: is a chant sung at the start and end of a psalm. ♫ from Greek: Sounds returning.
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  13. (b) Hymn: Christe Redemptor omniu
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  14. Genres and forms of chant
    • ♫ recitation formulas
    • ♫ Psalm tones
    • ♫ Office antiphons
    • ♫ office hymns
    • ♫ antiphonal psalmody in the mass
    • ♫ responsorial psalmody in office and mass
    • ♫ chants of mass ordinary
    • ♫ style and use
  15. Genres and forms of chants: Recitation formulas
    • ♫ recitation formulas
    •      ♬ project words clearly with out           embellishments, syllabic 
    •      ♬ reciting tone A or C 
    •      ♬by a priest 

    ♫ examples Collect, Epistle, Gosple
  16. Genres and forms of chants:  Psalm tones
    • ♫ in the office 
    • ♫ made so they can fit any psalm
    • ♫ one tone for each of the modes
    • ♫ used reciting tone 9th 
    • ♫ each tone has a intonation > rising motive only for the first verse
    • ♫ each tone has a mediant > cadence for the middle of the verse  
    • ♫ each tone has a termination > final cadence for each verse.
    • ♫ the structure of the music reflects that of the text. 
    • ♫ has two statements, second one echos the first 
    • ♫ the last verse is followed by the Lesser Doxology
  17. Lesser Doxology
    ♫ a formula for praise to the trinity, sung to the same psalm tone.
  18. Genres and forms of chants: Office Antiphons
    • ♫ aska canticle
    • ♫ not whole in itself; started and ended with an antiphon
    • ♫ ABB...BBA 
    • ♫ someone being commemorated 
    • ♫ mode  of the antiphon determines the  mode of psalm  tone
  19. Genres and forms of chants: Office hymns
    • ♫ sacred song
    • ♫  strophic 
    • ♫  several stanzas all sung to the same melody 
    • ♫  4 to 7 line stanzas 
    • ♫  contour of moving by seconds and thirds to a peak, then descending to a cadence.
  20. Genres and forms of chants: antiphonal psalmody in the mass
    • ♫ psalmody > singing of the psalms 
    • ♫ introit to antiphon, one psalm versem lesser doxology,  reprise of antiphon, ABB'A. 
    • ♫ more elaborate than office antiphons
  21. Genres and forms of chants: responsorial psalmody in office and mass
    • ♫ OFFICE examples psalms Gregorian chant responsories and the gradual. 
    •      ♬ several forms: respond, verse, full/partial repetition of the respons.
    •      ♬ graduals are more melesmatic than responsories,
    •      ♬ some  the end of the verse repeats or vaires the end of the response. 
    • ♫MASS examples alleluia and Offertory 
    •     ♬alleluia: respond on the word alleulia, psalm verse, repeat respond. 
    •      ♬alleulia is extended on the final syllable by a jubilus. joy beyond words. 
    • ♫ BOTH shortened to one verse with choir response before and after

  22. Genres and forms of chants: chants of the mass of the ordinary
    • ♫Gloria, Credo, Sanctus, Agnues Dei, Kyrie
    • ♫ Gloria and Credo:
    •         ♬have melodies feature recurring motives. no set form. the priest starts, choir finishes.   
    •        ♬sung by choir now days syllabic melodies
    •        ♬ clearer pitch centers and melodies
    • ♫ CREDO: syllabic style, longest text, statement of faith
    • ♫ GLORIA: long text, neumatic.
    • ♫Sanctus and Agnus Dei: Both neumatic mostly. repetition, 
    • ♫ SANCTUS: starts with the word sanctus, 3 times and end with 'hosanna in excelsis' 
    • ♫ AGNUS DEI: prayer 3 times altering the last time AAA, ABA or all three end the same AB CB DB
    • ♫KYRIE: incredibly repetitive. florid, melismas. multiple forms AAA BBB AAA' ; AAA BBB CCC'; ABA CDC EFE'. 
    •      ♬antiphonally 1/2 choirs alternating statments.
  23. Genres and forms of chants: styles and uses
    • ♫ formulas awesome for being easy to memorize, project clearly, applied to many texts. 
    • ♫ antiphons and hymns asses melodic interest.
    • ♫melismatic chants for decorative beauty, jewels, soloists, 
    • ♫ all from psalms Jewish practice
  24. 5. Ascribed to Wipo of Burgundy: Victimae paschali laudes
    • ♫ Wipo was Chaplin of the holy empire
    • Image Upload♫ example of sequence
  25. Victimae paschali laudes
  26. 6. Quem queritis in Presepe and Melisma
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  27. 6. Quem queritis in Melisma
  28. 7. Hildegard of Bingen:
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    • ♫Ordo virtutum: closing chorus, In principio omnes
    • ♫noble family, Germany, prioress of convent. music from her visions, wrote poems,
  29. 7. Hildegard of Bingen: Ordo virtutum
    • ♫ oldest serving drama not attached to the church 1151. 
    • ♫ means the virtues
  30. 8. Bernart de Ventadorn: Can vei la lauzeta mover
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  31. 9. Comtessa de Dia: A chantar
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  32. 10. Adam de la Halle:
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    ♫Jeu de Robin et de Marion: Rondeau, Robins m’aime
  33. Jeu de Robin et de Marion: Rondeau, Robins m’aime
  34. 11. Walther von der Vogelweide:
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  35. Palästinalied
  36. 12. Cantiga 159: Non sofre Santa María, from Cantigas de Santa Maria
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  37. 13. La quarte estampie royal, from Le manuscript du roi
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  38. 14. Organa from Musica enchiriadis
    (a) Tu patris sempiternus es filius(b) Sit gloria domini(c) Rex caeli domine
  39. (a) Tu patris sempiternus es filius
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  40. (b) Sit gloria domini
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  41. (c) Rex caeli domine
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Card Set:
Metro- Worster- HWMI Test I
2014-09-14 06:22:07
Music History
Metro HWMI with Dr. Worster Test Review I
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