Baroque Test comparision

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tresa
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288885
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Baroque Test comparision
Updated:
2014-11-11 21:49:19
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baroque music comparison
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  1. midieval

    melodic treatment
    • stepwise
    • varied contour
    • limited note range
  2. midieval

    use of harmony
    • intervals: 4, 5, 6
    • prepared dissonances
  3. medieval

    musical texture
    • layered
    • acapella singing
    • predominant
    • monophonic
  4. midieval

    compositional form
    • french form fixes: virali, ballade, rondo
    • cantus firmis
    • isorhythmic motet
  5. midieval

    compositonal genres
    • mass
    • motet
    • madrigal
    • consort song
    • chanson
  6. midieval

    performing forces
    • voices
    • men
    • limited instruments
  7. midieval

    maj composers
    • hildeguard
    • beatrice de dia
    • Bernard de vertrand
    • leonin and perotin
    • machaut
  8. r

    melodic treatment
    • varied contour
    • +leaps
    • +note range
  9. r

    use of harmony
    intervals: 3, 6, 7
  10. r

    musical texture
    • +bass voice
    • +5/6 voice parts
    • +instrument accomp
    • instrument only songs
    • homogenous
    • pervading imitation
  11. r

    compositional form
    • italian forms fixes: ciacca, ballot, madrigal
    • cantus firmis
    • isorythmic motet
  12. r

    compositional genres
    • mas, motet, madrigal
    • frottola, ayre, anthem, parisian chanson
  13. r

    performing forces
    • some women singing groups
    • +/inclusion of instruments & voice parts (5/6 parts)
  14. r

    maj composers
    • Dufay, Josquin des Prez
    • Thomas Morley
    • Sermisy
    • Palestrina
    • Dowland
    • Byrd
    • Dunstable
  15. transitional composers b/w medieval and reniassance
    • Josquin des Prez,
    • Dufay, Sermisey, Palesdrina, Monteverdi, El Grillo, Missa Papae Mercelli, Nuper
    • rosarum flores, dufaly’s mass l’home arme
  16. b

    melodic treatment
    • More distinction b/w melody and harmony
    • melodic emphasis 
    • more flowing melodies
    • Heavily ornamented
    • monody
  17. b

    use of harmony
    • use of bass line and pedal point
    • More distinction b/w melody and harmony
    • counterpoint
    • chord progressions based on circle of fifths
    • major/minor tonality
  18. b

    musical texture
    • light texture
    • con spezzati
    • stile concertato
    • homophonic
    • monody (solo singer and basso continuo)
  19. b

    compositional form
    • sonata, concerto,
    • concerto grosso, choral prelude, toccata, prelude and fugue, orchestral suite,
    • da cappo,
  20. b

    compositional genres
    • Vocal 
    • opera, oratorio, cantata, passion, sacred
    • music, masses

    • Instrumental
    • concerti, dance suites, keyboard works
    • (tocattas, prelude and fugues), sonatas, sinfonia, partita
  21. b

    performing forces
    • con spezzati (use of multiple choirs) 
    • use of orchestras
  22. b

    maj composers
    • Lully, Vivaldi,
    • Handel, Bach, Monteverdi, schutz, corelli, froberger, Buxtehude, purcell, caccini
  23. transitional composers

    renaissance and baroque
    • Monteverdi
    • Schutz
    • caccini

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