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Aperture
- The variable opening produced by the iris-diaphragm through which light passes to the film plane. Measured in f/stops.
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Aperture Priority
- Autoexposure systems wherein the photographer selects the aperture and the camera selects the appropriate shutter speed.
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ASA
- - American Standards Association; (see ISO).
- B (Bulb)- At the B setting, the shutter remains open as long as the shutter release button remains fully depressed.
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Bracketing
- - Take a series of pictures at different exposures.
- Burning- Providing extra exposure to an area of the print to make it darker, while blocking light from the rest of the print.
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Depth of Field
- The range of acceptably sharp focus in front of and behind the distance the lens is focused on.
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Dodging
- Blocking a portion of the light when printing a photograph so that an area of the image will be made lighter.
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Element
- One piece of glass comprising the internal optics of a lens.
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Exposure
- Light striking a sensitized material (film or paper emulsion).
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Fisheye
- An ultra-wide angle lens which purposely introduces barrel distortion so straight lines near the edges of the frame appear to curve out.
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Flare
- Image degradation caused by stray light which passes through the lens but is not focused to form the primary image. Often caused by light bouncing off internal air-toglass surfaces.
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Focal Length
- The distance from the optical center of a lens to the image plane when the lens is focused to infinity.
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ISO
- International Standards Organization; the number represents the film's sensitivity to light. A higher ISO number indicates the film is more sensitive and requires less light for a proper exposure.
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Photography
- From the Greek the means "painting or writing with light."
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Shutter Speed
- How fast the camera's shutters open. Determines how long the film is exposed for.
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Shutter Priority
- When the photographer selects the shutter speed and the camera automatically sets the corresponding aperture.
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SLR
- Single Lens Reflex; a camera with one lens (as opposed to Twin Lens Reflex like the Rolleiflex) that involves a mirror and prism that the viewer looks through (as opposed to a point and shoot or rangefinder where the viewer looks through a separate viewfinder.
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Sunny-16 Rule-
- A guideline that states that you can expose a normal scene, lit by bright sunlight, at an aperture of f16 and a shutter speed equivalent to the film speed (ISO or
- ASA) being used.
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TTL
- Through-the-lens; commonly used when referring to metering through the lens as opposed to via a separate meter.
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walky
- - fake arranding guy
- -everything in pic isnt the thing. it only reps
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renisance traces (box obsura)
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willam henry foz talbot-
neg print
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tim o sullivan-
shoot war (still too slow, shot dead bodies (doesnt arrange)
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samuel adams landscape
(journey west)
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juil margaret cameron (looseness)(bliblical myths)
-friends w/ sir john herschel
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eadwerd mubridge-
horse (pics/ movies)
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alfred stieglitz-
1st gallery in n.y. its art daily life
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eugene alget-
pics of old france. daily life average or bad ties dity life
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walker evans-
doc style ( just making a doc)
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john heartfield -
mono gram- manipulation (photo graphsers being poltical protest
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lee friedlander
- simple moments= more impactful
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gary winogrand-
10 rol of film a day (30k still needed to be developed)
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robert capa
- if ur images suck go closer (d-day- died by land
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weegee (artur fellig)
showed up b4 cops @ crime scene
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william eggelson-
color in art would
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cindy sherman
_feminist, untitled film stills
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yasumasa morimura
- dressing up but dressing up as another person (cosplay & trans)
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robert mappethupe
- king of tones
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anthoney hernadez
- take pics of homeless homes'
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philp kwane apaguya
- paint background of ideals
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pablo ventura
- diarams stories
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sant khalsa
- santaana river, enviromentalist, faminist
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Thomas mccgovern
- tattoed ppl & ppl w/ aids (bariny witness)
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jack butler
- messy, mac trans/ painted , not fanacy
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50mm
- makes things look normal spaced
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tela photo-
over 50- compresses space-closer
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wide angle
- under 50 make everything wider
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ansel adams, omno lake-
landscape depth to feild.
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mona kuhn-
- small f stops, little as possible,blur
- shallow depth to field- less sharpness
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large apature
- = less depth to field
- small apature
- = more depth
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shutter speed
- open close, faster it closes sharp. slow- blur dont go under 60th second 250th
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stop down
- - less light open up = more light
- shutter speed gotta move fstop/apature. balance that light
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panning
- slower shutter speed. moving as fast as subject but everything is bluured
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light meter
- - less light--------+too much light
- meter-
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matrix
- - everything in pic
- spot meter- only considering what is in the middle of lens(gotta think of a average) always shoot in M
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iso-
- sensitivity ot light- longer exposer but sharp(. the high the iso the more noise)
- 400 of less
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reciprocity failure-
bracting. 1 spot under & over exposed. take 3 short longer and longest
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bigger sensor= more image, not pixels, more qulaity
bit file of info-
- 1bit is 2 tones
- 2 bit= 4 tones
- 8 bit= 250 ranges
- ppi-
- dpi- print verison
- 72 pi/ppiis perfect for computer but print it sucks 300 ppi
- view finder- rule of 3rds, grid patern. points of intrest
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gary winogrand
- rolls of film
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edward steichen
- fashion photographer
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george hurrell
- hot lights
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lia holloran
- light at night
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albert seveso
- fast shuter speed
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henri cartier- bre
-- perfect timing
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